Goya, Francisco de (1746-1828) Majas al balcón (Majas on a Balcony) c.1800–1810 Oil on canvas, 194.9 x 125.7 cm Metropolitan Museum of Art, New York Attributed to Goya. The women known as majas visually distinguished themselves through opulent, exaggerated traditional dress that…
Goya, Francisco de (1746-1828) Doña Isabel de Porcel before 1805 Oil on canvas, 82 x 54.6 cm National Gallery, London A woman sits or stands, the top half of her body swung to our left, as she turns towards someone or something outside…
Goya, Francisco de (1746-1828) Doña Teresa Sureda (Thérèse Louise de Sureda) c.1803–1804 Oil on canvas, 119.7 x 79.4 cm National Gallery of Art, Washington See also: • Sureda, Teresa
Goya, Francisco de (1746-1828) La Duquesa de Alba (The Duchess of Alba) 1797 Oil on canvas, 210.3 x 149.3 cm Hispanic Society of America, New York Inscribed bottom center and left (in the soil): “Solo Goya / 1797” Francisco de Goya…
Goya, Francisco de (1746-1828) Autorretrato ante su caballete (Self-portrait at his easel) c.1785 Oil on canvas, 40 x 27 cm Real Academia de San Fernando, Madrid The execution of this canvas coincides with a decisive stage in Goya‘s life in Madrid. In…
Goya, Francisco de (1746-1828) San Francisco de Borja y el moribundo impenitente (St Francis Borja at the Deathbed of an Impenitent) 1788 Oil on canvas, 350 x 300 cm Catedral de Valencia, Valencia See also: • Francis Borgia, 4th Duke of Gandía
Caillebotte, Gustave (1848-1894) L’homme au balcon, boulevard Haussmann (Man on a Balcony) 1880 Oil on canvas, 116.5 x 89.5 cm Private collection See also: • Boulevard Haussmann (Paris)
Caillebotte, Gustave (1848-1894) Partie de bateau, dit Canotier au chapeau haut de forme (Boating Party, or Canotier with the top hat) c.1877–1878 Oil on canvas, 89.5 x 116.7 cm Musée d’Orsay, Paris « Partie de bateau » or « Canotier au…
Caillebotte, Gustave (1848-1894) Le déjeuner (Luncheon) 1876 Oil on canvas, 52 x 75 cm Private collection
Manet, Édouard (1832-1883) Olympia 1863 Oil on canvas, 130.5 x 191 cm Musée d’Orsay, Paris With Olympia, Manet reworked the traditional theme of the female nude, using a strong, uncompromising technique. Both the subject matter and its depiction explain the scandal…