Manet, Édouard (1832-1883) L’artiste, Portrait de Marcellin Desboutin (The Artist, Portrait of Marcellin Desboutin) 1875 Oil on canvas, 195.5 x 131.5 cm Museu de Arte, São Paulo See also: • Desboutin, Marcellin (1823-1902)
Boucher, François (1703-1770) Portrait de Madame de Pompadour (Portrait of Madame Pompadour) 1756 Oil on canvas, 205 × 161 cm Alte Pinakothek, Munich Madame de Pompadour was the official mistress of King Louis XV of France. She gained great influence and also…
Bronzino (1503-1572) Ritratto di Cosimo I de’ Medici (Portrait of Cosimo I de’ Medici) c.1560 Oil on wood, 84 x 64 cm National Gallery, Prague See also: • Medici, Cosimo I de’ (1519-1574)
Ernst, Max (1891-1976) La Toilette de la mariée (Attirement of the Bride) 1940 Oil on canvas, 129.6 x 96.3 cm Guggenheim Museum, New York © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris Attirement of the Bride is an example of Max Ernst’s veristic…
Derain, André (1880-1954) Portrait de jeune homme (Portrait of a Young Man) c.1913–1914 Oil on canvas with graphite underdrawing, 91.8 x 73.6 cm Guggenheim Museum, New York
Renoir, Pierre-Auguste (1841-1919) Jeune fille lisant (Reading Girl) 1880 Oil on canvas, 57 x 47.5 cm Städel Museum, Frankfurt Renoir, like all Impressionists, was interested in motifs from everyday life. This way he could show his models in private moments: by concentrating…
Desboutin, Marcellin (1823-1902) Portrait de Berthe Morisot (Portrait of Berthe Morisot) c.1876 Drypoint, 26.2 x 17.5 cm Rijksmuseum, Amsterdam See also: • Morisot, Berthe (1841-1895)
Guercino (1591-1666) Papa Gregorio XV (Pope Gregory XV) c.1622–1623 Oil on canvas, 133.7 × 98.4 cm Getty Center, Los Angeles Giovanni Francesco Barbieri, called il Guercino or simply Guercino, meaning “The Squinter”, a nickname referring to a congenital eye condition from which…
Bronzino (1503-1572) Ritratto di Cosimo I de’ Medici come Orfeo (Portrait of Cosimo I de Medici as Orpheus) c.1537–1539 Oil on panel, 93.7 × 76.4 cm Philadelphia Art Museum, Philadelphia Duke Cosimo I de’ Medici is shown as the mythological musician and…
Raffaello (1483-1520) Studio per la ‘Madonna del Pesce’ (Study for the ‘Madonna del Pesce’) c.1512–1514 Brush and brown wash heightened with white over black chalk on paper, 25.80 x 21.30 cm Scottish National Portrait Gallery, Edinburgh This drawing shows a very…