Gauguin, Paul (1848-1903) Manaò tupapaú (Spirit of the Dead Watching) 1892 Oil on jute mounted on canvas, 73.02 x 92.39 cm Buffalo AKG Art Museum, Buffalo In 1891, after many years without commercial success in France, Paul Gauguin traveled to the…
Reynolds, Joshua (1723-1792) Cupid as Link Boy 1774 Oil on canvas, 76.2 x 63.5 cm Buffalo AKG Art Museum, Buffalo Joshua Reynolds’s portrait transforms a sight common to the streets of eighteenth-century London—a child worker lighting torches—into an allegory. “Link boys,”…
El Greco (1541-1614) Attributed El Apóstol San Andrés (Apostle Saint Andrew) c.1610–1614 Oil on canvas, 74.9 x 58.4 cm Rhode Island School of Design, Providence
Carracci, Annibale (1560-1609) Tentazioni di sant’Antonio Abate (Christ appearing to Saint Anthony Abbot during his Temptation) c.1598 Oil on copper, 49.5 x 34.4 cm National Gallery, London A bearded man in a hair robe is being violently threatened by a horde…
Ingres, Jean Auguste Dominique (1780-1867) L’Espérance (Hope) 1842 Oil on canvas, 116.5 × 117 cm Musée du Louvre, Paris Circular composition: half-length woman, arms and hands open, white sleeveless tunic under a green drape, face in profile turned to the right. (Louvre)…
Manet, Édouard (1832-1883) Jeune femme couchée en costume espagnol (Reclining Young Woman in Spanish Costume) 1862–1863 Oil on canvas, 94.7 × 113.7 cm Yale University Art Gallery, New Haven Manet dedicates the painting “To my friend Nadar”. See also: • Nadar (1820-1910)
El Greco (1541-1614) San Francisco y el hermano León meditando sobre la muerte (Saint Francis and Brother Leo Meditating on Death) c.1600–1605 Oil on canvas, 168 x 103.2 cm National Gallery of Canada, Ottawa Compare: El Greco (1541-1614) San Francisco medita…
Dürer, Albrecht (1471-1528) Adam 1507 Oil on panel, 209 x 81 cm Museo del Prado, Madrid Dürer made this panel and its companion, Eve upon returning from his second trip to Italy in 1505. Both works constitute an effort to synthesize…
Dürer, Albrecht (1471-1528) Eve 1507 Oil on panel, 209 x 80 cm Museo del Prado, Madrid Like the painting of Adam, represented on a separate panel, Eve’s unstable posture, her rhythmical movements and her affected gestures are sometimes interpreted as a…