Tag: finger

Matrimonio mistico di santa Caterina (1510-1514)

Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) 1510–1514 Oil on panel, 136.2 × 123.2 cm Detroit Institute of Arts, Detroit Compare: Correggio (c.1489-1534) Matrimonio mistico di santa Caterina 1510–1515 National Gallery of Art, Washington     Correggio (c.1489-1534) Matrimonio…

Matrimonio mistico di santa Caterina (1510-1515)

Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) 1510–1515 Oil on panel, 27.7 x 21.4 cm, 0.5 cm National Gallery of Art, Washington Three women, two men, and a baby sit on or stand near a…

Leconte de Lisle (c.1840-1841)

Millet, Jean-François (1814-1875) Leconte de Lisle c.1840–1841 Oil on canvas, 117 x 81 cm National Gallery of Art, Washington See also: • Leconte de Lisle, Charles (1818-1894)

Beata Beatrix (c.1864-1870)

Rossetti, Dante Gabriel (1828-1882) Beata Beatrix c.1864–1870 Oil on canvas, 86.4 x 66 cm Tate Britain, London Dante Gabriel Rossetti identified closely with the medieval poet Dante Alighieri. Rossetti saw his own despair at the death of his wife, the artist and…

Christina Rossetti (1866)

Rossetti, Dante Gabriel (1828-1882) Christina Rossetti 1866 Colored chalk on blue-gray paper, 79 x 63.5 cm Private collection See also: • Rossetti, Christina (1830-1894)

The Holy Grail (1874)

Rossetti, Dante Gabriel (1828-1882) The Holy Grail (The Damsel of the Sanct Grael) 1874 Oil on canvas, 92 x 57.7 cm Private collection See also: • Cornforth, Fanny (1835-1909)

Fair Rosamund (1861)

Rossetti, Dante Gabriel (1828-1882) Fair Rosamund 1861 Oil on canvas, 51.9 x 41.7 cm National Museum Wales, Cardiff Fair Rosamund (d.c.1176) was the mistress of Henry II. She appears here behind a balustrade in the royal manor of Woodstock. The red…

Lady Lilith (1867)

Rossetti, Dante Gabriel (1828-1882) Lady Lilith 1867 Watercolor and gouache, 51.3 x 44 cm Metropolitan Museum of Art, New York Fascinated by women’s physical allure, Rossetti here imagines a legendary femme fatale as a self-absorbed nineteenth-century beauty who combs her hair…