Flinck, Govert (1615-1660) Self Portrait aged 24 1639 Oil on oak, 65.8 × 54.4 cm National Gallery, London Rembrandt was an exacting teacher as well as a great artist – at least, he knew how to school the apprentices who came…
Flinck, Govert (1615-1660) Old Man 1651 Oil on canvas, 99.5 x 84 cm Kunsthistorisches Museum, Vienna Inscribed at lower left: G. Flinck f. 1651
Flinck, Govert (1615-1660) Bathsheba with King David’s Letter 1659 Oil on canvas, 115 x 87 cm Hermitage Museum, Saint Petersburg
Flinck, Govert (1615-1660) Seated Youth s.d. Black chalk, heightened with white, 39.5 x 26.3 cm Princeton University Art Museum, Princeton
Flinck, Govert (1615-1660) Joseph Interpreting the Prisoners’ Dreams c.1638 Pen and brown ink, with brush and brown wash, on ivory laid paper, 17.3 × 20.6 cm Art Institute of Chicago, Chicago For many years, this drawing was believed to be by…
Flinck, Govert (1615-1660) Portrait of a Woman in Profile (possibly Saskia) c.1636 Oil on panel, 68.6 x 78.1 cm Wadsworth Atheneum, Hartford See also: • Uylenburgh, Saskia van (1612-1642)
Flinck, Govert (1615-1660) A Young Archer c.1639–1640 Oil on oak panel, 66.2 x 50.8 cm Wallace Collection, London
Flinck, Govert (1615-1660) Landscape with bridge and ruins 1637 Oil on wood, 49.5 × 75 cm Musée du Louvre, Paris One of the rare landscapes signed by Flinck, and of completely Rembranesque inspiration, undoubtedly through the master’s drawings, but of fundamental…
Flinck, Govert (1615-1660) Saskia s.d. Red chalk on laid paper, 16.6 x 11.9 cm National Gallery of Art, Washington See also: • Uylenburgh, Saskia van (1612-1642)
Flinck, Govert (1615-1660) Portrait of a Woman 1646 Oil on wood, 71.5 x 59.5 cm Cleveland Museum of Art, Cleveland Because of an inscription on the back, this painting was long considered a portrait of Anna Maria van Schurman, a prominent…