Ruskin, John (1819-1900) Budding Sycamore 1875 Black and gray wash, gouache, and graphite, 34.8 x 44.8 cm Cleveland Museum of Art, Cleveland This drawing was used as an illustration in John Ruskin‘s manual on drawing, Rudimentary Studies. The most influential art…
Redon, Odilon (1840-1916) Orphée (Orpheus) c.1903–1910 Pastel on brown paper, 68.8 x 56.8 cm Cleveland Museum of Art, Cleveland Drawn in vivid layers of pastel crayon, this work depicts the head of the poet and musician Orpheus. The story of the…
Robbia, Luca della (1400-1482) Madonna col Bambino (Madonna and Child) c.1460–1470 Glazed terracotta, 111.2 cm Cleveland Museum of Art, Cleveland
Millais, John Everett (1829-1896) Ophelia 1851–1852 Oil on canvas, 76.2 x 111.8 cm Tate Britain, London The scene depicted is from Shakespeare‘s Hamlet, Act IV, Scene vii. See also: • Shakespeare, William (1564-1616) | Siddal, Elizabeth (1829-1862)
Tintoretto, Jacopo (1518-1594) Susanna e i vecchioni (Susanna and the Elders) c.1555–1556 Oil on canvas, 146 × 193.6 cm Kunsthistorisches Museum, Vienna In the Old Testament, it is told how Susanna receives lewd proposals from two men who have secretly intruded…
Monet, Claude (1840-1926) En promenade près d’Argenteuil (Out for a Walk near Argenteuil) 1875 Oil on canvas, 61 x 81.4 cm Musée Marmottan Monet, Paris See also: • Argenteuil (France) | Doncieux, Camille (1847-1879) | Monet, Jean (1867-1914)
Lotto, Lorenzo (1480-1557) Ritratto di un uomo (Portrait of a Man, possibly Girolamo Rosati) 1533–1534 Oil on canvas, 108.2 x 100.5 cm Cleveland Museum of Art, Cleveland The gesture of the elegantly dressed man is a mystery. Is he rising from…
Tiziano (c.1488-1576) Bacco e Arianna (Bacchus and Ariadne) 1520–1523 Oil on canvas, 176.5 x 191 cm National Gallery, London Titian’s Bacchus and Ariadne is one of the finest and most famous paintings in the National Gallery. The Cretan princess Ariadne has…
Manet, Édouard (1832-1883) La Brioche (The Brioche) 1870 Oil on canvas, 65.1 x 81 cm Metropolitan Museum of Art, New York Manet reportedly called still life the “touchstone of the painter.” From 1862 to 1870 he executed several large-scale tabletop scenes…
Lippi, Filippo (1406-1469) Sant’Antonio Abate (St. Anthony Abbot) 1458 Tempera on wood panel, 81.3 x 29.8 x 3 cm Cleveland Museum of Art, Cleveland Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot. These panels depicting Saints Anthony…