Piero della Francesca (c.1416-1492) Madonna col Bambino e quattro angeli (Virgin and Child Enthroned with Four Angels) c.1460–1470 Oil on panel, transferred to fabric on panel, 107.8 x 78.4 cm Clark Art Institute, Williamstown
Piero della Francesca (c.1416-1492) Battesimo di Cristo (The Baptism of Christ) probably about 1437–1445 Egg tempera on poplar, 167 × 116 cm National Gallery, London This is the earliest surviving work by the innovative Tuscan painter, Piero della Francesca. Very few…
Uccello, Paolo (1397-1475) Battaglia di San Romano (The Battle of San Romano) c.1438–1440 Egg tempera with walnut oil and linseed oil on poplar, 182 × 320 cm National Gallery, London It’s hard to follow what’s going on in this large and busy…
Uccello, Paolo (1397-1475) Caccia notturna (The Hunt in the Forest) c.1465–1470 Tempera and oil, with traces of gold, on panel, 73.3 x 177 cm Ashmolean Museum, Oxford
Ghirlandaio, Domenico (1448-1494) Madonna col bambino (Madonna and Child) c.1475–1480 Tempera on wood, 78.7 x 55.5 cm Musée du Louvre, Paris
Perugino (c.1446-1523) L’Arcangelo Raffaele con Tobia (The Archangel Raphael with Tobias) c.1496–1500 Oil and egg temera on poplar, 113.3 x 56.5 cm National Gallery, London This was the right panel of the predella of an altarpiece made for the Duke of Milan,…
Perugino (c.1446-1523) San Girolamo penitente (Penitent St. Jerome) c.1502 Oil on olive wood, 29.7 × 22.5 cm Kunsthistorisches Museum, Vienna Attributed to Perugino (c.1446-1523) Perugino was one of the first Central Italian painters to experiment with complicated oil glazes. Inspired by the…
Perugino (c.1446-1523) Battesimo di Cristo (Baptism of Christ) c.1498–1500 Oil on olive wood, 30 × 23 x 2.2 cm Kunsthistorisches Museum, Vienna Perugino used his successful inventions again and again. This baptism goes back to his fresco in the Sistine Chapel. More…
Perugino (c.1446-1523) Santa Maria Maddalena (Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of…
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…