Perugino (c.1446-1523) Battesimo di Cristo (Baptism of Christ) c.1498–1500 Oil on olive wood, 30 × 23 x 2.2 cm Kunsthistorisches Museum, Vienna Perugino used his successful inventions again and again. This baptism goes back to his fresco in the Sistine Chapel. More…
Perugino (c.1446-1523) Compianto sul Cristo morto (Lamentation over the Dead Christ) 1495 Oil on wood, 220 x 195 cm Galleria Palatina, Palazzo Pitti, Firenze Inscription: PETRUS PERUSINUS PINXIT A.D. MCCCCLXXXXV The body of Christ taken down from the cross is lying over…
Perugino (c.1446-1523) Santa Maria Maddalena (Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of…
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Perugino (c.1446-1523) San Girolamo (Saint Jerome) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Perugino (c.1446-1523) Trittico Galitzin (The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with…
Perugino (c.1446-1523) Consegna delle chiavi (The Delivery of the Keys) 1481–1482 Fresco, 335 × 550 cm Cappella Sistina, Vaticano
Giotto (c.1267-1337) San Francesco riceve le stimmate (St. Francis receiving the stigmata) c.1300–1325 Tempera and gold on poplar, 313 x 163 cm Musée du Louvre, Paris Signature: OPUS IOCTI FLORENTINI (“Work of Florentine Giotto”). At the predella: The dream of Innocent…
Ingres, Jean Auguste Dominique (1780-1867) La Vénus couchée d’Urbino, d’après le Titien (Reclining Venus of Urbino, after Titian) 1822 Oil on canvas, 116 x 168 cm Walters Art Museum, Baltimore Compare: Tiziano (c.1488-1576) Venere di Urbino 1538 Galleria degli Uffizi, Firenze
Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1842 Oil on canvas, 76 x 105 cm Walters Art Museum, Baltimore This is a replica of the 1839 painting in the Fogg Museum, Cambridge. The landscape in the background was…