Pissarro, Camille (1830-1903) Baigneuse dans les bois (Bather in the Woods) 1895 Oil on canvas, 60.3 x 73 cm Metropolitan Museum of Art, New York In summer 1893 Pissarro wrote his son Lucien that he was planning a series of canvases of nude…
Memling, Hans (c.1430-1494) The Annunciation 1480–1489 Oil on panel, transferred to canvas, 76.5 x 54.6 cm Metropolitan Museum of Art, New York Memling modeled this Annunciation on the left wing of Rogier van der Weyden’s Saint Columba Altarpiece (now in Munich), but…
Memling, Hans (c.1430-1494) The Annunciation c.1465–1470 Oil on wood, 186.1 x 114.9 cm Metropolitan Museum of Art, New York One of the largest surviving depictions of the Annunciation, this imposing painting was most likely commissioned by Ferry de Clugny, whose family coat…
Homer, Winslow (1836-1910) Dressing for the Carnival 1877 Oil on canvas, 50.8 x 76.2 cm Metropolitan Museum of Art, New York In this painting Homer evoked the dislocation and endurance of African American culture that is a legacy of slavery—specifically the Jonkonnu…
Valadon, Suzanne (1865-1938) Nue arrangeant ses cheveux (Nude Arranging Her Hair) c.1916 Oil on canvasboard, 104.77 x 75.24 cm National Museum of Women in the Arts, Washington Suzanne Valadon painted female nudes throughout her career and was one of only a few…
Cassatt, Mary (1844-1926) Mother’s Kiss 1890–1891 Drypoint and aquatint on paper, 34.92 x 22.86 cm National Museum of Women in the Arts, Washington A prolific and innovative printmaker, Mary Cassatt created Mother’s Kiss as one of a series of 10 color prints…
Cassatt, Mary (1844-1926) The Bath 1891 Soft-ground etching with aquatint and drypoint on paper, 31.43 x 24.44 cm National Museum of Women in the Arts, Washington In 1890, the Ecole des Beaux-Arts in Paris held a large-scale exhibition of Japanese prints that…
Cassatt, Mary (1844-1926) Maternal Caress 1890–1891 Drypoint, aquatint and softground etching on paper, 36.83 x 26.82 cm National Museum of Women in the Arts, Washington