Tag: foot

Madonna di Loreto (c.1507-1515)

Perugino (c.1446-1523) Madonna di Loreto (The Virgin and Child with Saints Jerome and Francis) probably c.1507–1515 Oil on wood, 185.5 x 152.5 cm National Gallery, London This painting stood above the altar in a chapel built to commemorate a local carpenter, Giovanni…

Noli Me Tangere (1500-1505)

Perugino (c.1446-1523) Noli Me Tangere 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact…

Cristo e la donna di Samaria (1500-1505)

Perugino (c.1446-1523) Cristo e la donna di Samaria (Christ and the Woman of Samaria) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region…

Il battesimo di Cristo (1500–1505)

Perugino (c.1446-1523) Il battesimo di Cristo (The Baptism of Christ) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.4 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond,…

Santa Lucia (c.1507)

Perugino (c.1446-1523) Santa Lucia (Saint Lucy) c.1507 Oil on wood, 160 x 67 cm Metropolitan Museum of Art, New York These two panels are from an enormous double-sided altarpiece on the high altar of the church of Santissima Annunziata, Florence. Begun by Filippino Lippi in 1502,…

San Giovanni Battista (c.1507)

Perugino (c.1446-1523) San Giovanni Battista (Saint John the Baptist) c.1507 Oil on wood, 160 x 67 cm Metropolitan Museum of Art, New York These two panels are from an enormous double-sided altarpiece on the high altar of the church of Santissima Annunziata,…

La resurrezione (1500-1505)

Perugino (c.1446-1523) La resurrezione (The Resurrection) 1500–1505 Tempera on wood, 27 x 45.7 cm Metropolitan Museum of Art, New York This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large…