Tag: foot

L’Immacolata Concezione (1733-1736)

Tiepolo, Giambattista (1696-1770) L’Immacolata Concezione (The Immaculate Conception) 1733–1736 Oil on canvas, 33.8 × 28.3 cm Detroit Institute of Arts, Detroit Compare: Tiepolo, Giambattista (1696-1770) L’Immacolata Concezione 1767–1769 Museo del Prado, Madrid    

San Giuseppe e Gesù Bambino (1767-1769)

Tiepolo, Giambattista (1696-1770) San Giuseppe e Gesù Bambino (Saint Joseph and the Christ Child) 1767–1769 Oil on canvas, 154 × 111.3 cm Detroit Institute of Arts, Detroit This imposing yet tender representation of Saint Joseph gently cradling the infant Jesus in…

Au cirque (1899)

Toulouse-Lautrec, Henri de (1864-1901) Au cirque (At the Circus) 1899 Crayon, pastel, and watercolor on wove paper, 25.1 × 35.6 cm Detroit Institute of Arts, Detroit Depicted here is a scene from the ballet Papa Chrysantheme performed in 1892 at the…

Santa Maria Maddalena (c.1620)

Gentileschi, Artemisia (1593-c.1653) Santa Maria Maddalena (St. Mary Magdalene) c.1620 Oil on canvas, 146.5 x 108 cm Galleria Palatina, Palazzo Pitti, Firenze Mary Magdalen was a much-loved subject both by painters and the public because she represented the ideal model of the…

Matrimonio mistico di santa Caterina (c.1527-1529)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1529 Oil on wood, 73 x 58 cm Private collection Compare: Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1527–1531 National Gallery, London     Parmigianino (1503-1540) Matrimonio mistico di santa Caterina c.1529…

Matrimonio mistico di santa Caterina (c.1527-1531)

Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…

Visione di san Girolamo (1526-1527)

Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…

Lucrezia (c.1539)

Parmigianino (1503-1540) Lucrezia (Lucretia) c.1539 Watercolor over black chalk, 29.8 x 20.9 cm National Gallery of Art, Washington

Ratto di Ganimede (c.1530)

Correggio (c.1489-1534) Ratto di Ganimede (Abduction of Ganymede) c.1530 Oil on canvas, 163.5 × 72 cm Kunsthistorisches Museum, Vienna Companion: Correggio (c.1489-1534) Giove e Io c.1530 Kunsthistorisches Museum, Vienna