Canova, Antonio (1757-1822) Orfeo (Orpheus) 1777 Marble, h. 140 cm Hermitage Museum, Saint Petersburg Canova produced his first commissioned works – a pair of statues showing Orpheus and Eurydice – at the age of just 16 or 17, for his patron,…
Canova, Antonio (1757-1822) Teseo sul Minotauro (Theseus and the Minotaur) 1782 Marble, 145.4 x 158.7 x 91.4 cm Victoria and Albert Museum, London The legendary Greek hero Theseus sits astride the minotaur whom he has just killed. Coils of thread used…
Canova, Antonio (1757-1822) Maddalena penitente (Repentant Mary Magdalene) 1808–1809 Marble, h. 95 cm Hermitage Museum, Saint Petersburg Canova, an outstanding sculptor of the late 18th – early 19th century, the head of the school of Neoclassicism in Rome, did not often…
Canova, Antonio (1757-1822) Le tre Grazie (Three Graces) 1813–1816 Marble, h. 182 cm Hermitage Museum, Saint Petersburg A late work by Canova, The Three Graces was produced at a time when the artist was so famous that the public eagerly awaited…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Raffaello (1483-1520) Sacra Famiglia sotto la quercia (Holy Family below the Oak) 1518–1520 Oil on panel, 144 x 110 cm Museo del Prado, Madrid Leaning on a classical ruin, Saint Joseph looks at the Virgin Mary with the Christ Child in her…
Raffaello (1483-1520) La Perla (The Holy Family, or La Perla) c.1518 Oil on panel, 147.4 x 116 cm Museo del Prado, Madrid Philip IV called this painting The Pearl, as it was his favorite among all those in his collection. The…