Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1796 Marble, 148 x 172 cm Hermitage Museum, Saint Petersburg The theories of Neoclassicism, formulated in the works of the German scholar and philosopher Johann Joachim Winckelmann, were vividly embodied in the…
Canova, Antonio (1757-1822) Amore e Psiche in piedi (Cupid and Psyche Standing) c.1797 Marble, height: 145.1 cm; width: 63 cm; depth: 56 cm; diameter: 74 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Raffaello (1483-1520) Sacra Famiglia sotto la quercia (Holy Family below the Oak) 1518–1520 Oil on panel, 144 x 110 cm Museo del Prado, Madrid Leaning on a classical ruin, Saint Joseph looks at the Virgin Mary with the Christ Child in her…
Raffaello (1483-1520) La Perla (The Holy Family, or La Perla) c.1518 Oil on panel, 147.4 x 116 cm Museo del Prado, Madrid Philip IV called this painting The Pearl, as it was his favorite among all those in his collection. The…
Raffaello (1483-1520) Madonna d’Alba (Alba Madonna) c.1510 Oil on panel transferred to canvas, diameter 94.5 cm National Gallery of Art, Washington After four years in Florence, Raphael moved to Rome in 1508, probably to execute more significant commissions under the papal…
Raffaello (1483-1520) Madonna Niccolini-Cowper (The Niccolini-Cowper Madonna) 1508 Oil on panel, 80.7 x 57.5 cm National Gallery of Art, Washington Inscription: center right on border of Madonna’s bodice: MDVIII.R.V.PIN (1508 Raphael of Urbino painted it) A woman holds and looks toward…
Raffaello (1483-1520) Piccola Madonna Cowper (Small Cowper Madonna) c.1505 Oil on panel, 59.5 x 44 cm National Gallery of Art, Washington A woman and nude child, both with pale skin, sit in front of a deep landscape in this vertical painting.…
Raffaello (1483-1520) Consegna delle chiavi del Regno (Christ’s Charge to Peter) c.1515–1516 Bodycolour over charcoal underdrawing on paper, mounted on canvas, 344 x 534 Victoria and Albert Museum, London Acquired by the Prince of Wales, future King Charles I in 1623…
Raffaello (1483-1520) Estasi di Santa Cecilia (Ecstasy of St. Cecilia) c.1513 Oil transferred from panel to canvas, 236 x 149 cm Pinacoteca Nazionale, Bologna Performed around 1513 for the chapel of Blessed Elena Duglioli, who had built her own image of…