Géricault, Théodore (1791-1824) Satyre et nymphe (Satyr and Nymph) 1817 Black chalk with brown wash and white gouache, 22.2 x 18.2 cm Princeton University Art Museum, Princeton
Géricault, Théodore (1791-1824) Le Sommeil des Paysans (The Sleep of the Peasants) c.1808–1812 Oil on wood panel, 77.5 x 57.1 cm Princeton University Art Museum, Princeton Impatient with studio routine, Géricault spent four years teaching himself by copying paintings in the…
Gauguin, Paul (1848-1903) Femme de la Martinique (Woman of Martinique) 1889 Painted clay, textile, paper, wooden base, 19.7 × 11.1 × 7 cm Princeton University Art Museum, Princeton This sculpture reveals an array of references to non‑Western cultures that the artist…
Fantin-Latour, Henri (1836-1904) Vase de fleurs (Vase of Flowers) 1861 Oil on canvas, 44.4 x 36 cm Princeton University Art Museum, Princeton The painter and critic Jacques-Émile Blanche (1861–1942) compared Fantin-Latour’s studies of the flower—”its grain, its tissue”—to the observation of…
Nadar (1820-1910) Victor Hugo sur son lit de mort (Victor Hugo on His Deathbed) 1885 Albumen print, 19.6 x 23.8 cm Toledo Museum of Art, Toledo Compare: Nadar (1820-1910) Victor Hugo sur son lit de mort 1885 Getty Center, Los Angeles See…
Daubigny, Charles-François (1817-1878) Auvers, Paysage à la charrue (Auvers, Landscape with Plough) 1872–1877 Oil on canvas, 46.5 x 81.5 cm Toledo Museum of Art, Toledo Responding to 17th-century Dutch landscape paintings by Jacob van Ruisdael, Jan van Goyen, and others, Charles-François…
Daumier, Honoré (1808-1879) Enfants sous un arbre (Children Under a Tree) 19th century Oil on canvas, 55.6 x 47 cm Toledo Museum of Art, Toledo Though a prolific painter, Honoré Daumier was best known for his printmaking, specifically his lithographed caricatures and…
Cézanne, Paul (1839-1906) Avenue de Chantilly (Avenue at Chantilly) 1888 Oil on canvas, 81.3 x 64.8 cm Toledo Museum of Art, Toledo Paul Cézanne combined classical structural stability with a new sense of respect for the inherent two-dimensionality of painting. By…