Ingres, Jean Auguste Dominique (1780-1867) Une odalisque, dite La grande odalisque (An Odalisque, called The Great Odalisque) 1814 Oil on canvas, 91 x 162 cm Musée du Louvre, Paris Naked woman, 3/4 face surrounded by a turban tied at the nape…
Tintoretto, Jacopo (1518-1594) Giovane uomo con la barba (Portrait of a Young Man with a Beard) c.1555 Oil on canvas, 45.7 × 36.8 cm Detroit Institute of Arts, Detroit
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…
Parmigianino (1503-1540) Autoritratto entro uno specchio convesso (Self-portrait in a Convex Mirror) c.1523–1524 Oil on panel, diameter 24.4 cm Kunsthistorisches Museum, Vienna After his arrival in Rome, the young artist gave his self-portrait painted on a curved piece of wood to…
Holbein, Hans the Younger (c.1497-1543) Portrait of a young merchant 1541 Oil on oak, 46.5 × 34.8 cm Kunsthistorisches Museum, Vienna Holbein created a new style of portraiture that is characterized by monumentality paired with extreme painterly precision. The young businessman…
Velázquez, Diego (1599-1660) Infanta Margarita Teresa con vestido azul (Infanta Margarita Teresa in blue dress) 1659 Oil on canvas, 125.5 × 106 × 3 cm Kunsthistorisches Museum, Vienna One year before his death Velázquez created this portrait of the eight-year old…
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Tiziano (c.1488-1576) Ninfa e pastore (Nymph and shepherd) c.1570–1575 Oil on canvas, 149.6 × 187 cm Kunsthistorisches Museum, Vienna The theme on which the picture is based has not yet been satisfactorily clarified, but Titian raised it to the mythical level…