Velázquez, Diego (1599-1660) Almuerzo de campesinos (The Farmers’ Lunch, Tavern Scene with Two Men and a Girl) c.1618–1619 Oil on canvas, 96 × 112 cm Museum of Fine Arts, Budapest
Almuerzo de campesinos (c.1618-1619)
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The Annunciation (1420-1425)
Campin, Robert (c.1378-1444) The Annunciation 1420–1425 Oil on oak panel, 76 x 70 cm Museo del Prado, Madrid The event is set in a gothic temple, alluding to the New Law that replaces the old one, represented by the Romanesque tower in…
The Betrothal of the Virgin (1420-1430)
Campin, Robert (c.1378-1444) The Betrothal of the Virgin 1420–1430 Grisaille, Oil on oak panel, 77 x 88 cm Museo del Prado, Madrid Two scenes are represented in this work. On the left, in a circular, Romanesque interior covered with a dome, is…
Saint Barbara (1438)
Campin, Robert (c.1378-1444) Saint Barbara 1438 Oil on oak panel, 101 x 47 cm Museo del Prado, Madrid Saint Barbara reads by the light of a fireplace in a richly appointed room. The key to her identity lies outside the window…
Nature morte au pot bleu (1890)
Ensor, James (1860-1949) Nature morte au pot bleu (Still life with blue jug) 1890 Oil on panel, 38 x 46 cm Kröller-Müller Museum, Otterlo
Nature morte aux huîtres (1882)
Ensor, James (1860-1949) Nature morte aux huîtres (Still life with oysters) 1882 Oil on canvas, 79 x 98 cm Koninklijk Museum voor Schone Kunsten, Antwerp
La mangeuse d’huîtres (1882)
Ensor, James (1860-1949) La mangeuse d’huîtres (The oyster eater) 1882 Oil on canvas, 205 x 150.5 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Annunciazione (1578)
Veronese, Paolo (1528-1588) Annunciazione (Annunciation) 1578 Oil on canvas, 271 x 541 cm Gallerie dell’Accademia, Venezia
Convito in casa di Levi (1573)
Veronese, Paolo (1528-1588) Convito in casa di Levi (The Feast in the House of Levi) 1573 Oil on canvas, 560 x 1309 cm Gallerie dell’Accademia, Venezia
Maddalena penitente (1560s)
Tiziano (c.1488-1576) Maddalena penitente (Penitent Magdalene) 1560s Oil on canvas, 119 x 97 cm Hermitage Museum, Saint Petersburg Titian turned to the subject of the repentant Mary Magdalene on several occasions, but this version he kept for himself in his…