Cellini, Benvenuto (1500-1571) Saliera (Salt Cellar) 1540–1543 Gold, enamel, ebony, ivory, 28.5 × 21.5 × 26.3 cm Kunsthistorisches Museum, Vienna The only extant work in gold by this Florentine artist already famous during his lifetime, Cellini’s masterpiece is far more than a…
Bronzino (1503-1572) Ritratto di Cosimo I de’ Medici (Portrait of Cosimo I de’ Medici) c.1560 Oil on wood, 84 x 64 cm National Gallery, Prague See also: • Medici, Cosimo I de’ (1519-1574)
Guercino (1591-1666) Papa Gregorio XV (Pope Gregory XV) c.1622–1623 Oil on canvas, 133.7 × 98.4 cm Getty Center, Los Angeles Giovanni Francesco Barbieri, called il Guercino or simply Guercino, meaning “The Squinter”, a nickname referring to a congenital eye condition from which…
Tiepolo, Giambattista (1696-1770) Latino offre in matrimonio Lavinia a Enea (Latinus gives Aeneas his daughter Lavinia in marriage) 1753–1754 Oil on canvas, 140.5 x 109.5 cm Statens Museum for Kunst, Copenhagen Decorative pictorial sequences came to play a major role in Giambattista…
Veronese, Paolo (1528-1588) Rebecca al pozzo (Rebecca at the Well) c.1582–1588 Oil on canvas, 145.5 x 282.7 cm National Gallery of Art, Washington Three men, one woman, and three camels gather around the stone ledge of a well in this horizontal landscape…
Correggio (c.1489-1534) Danae c.1531 Oil on canvas, 161 x 193 cm Galleria Borghese, Roma Together with Leda, Ganymede Abducted by the Eagle, and Jupiter and Io, this painting forms part of a well-known series of Jupiter’s loves, painted by Correggio for Federico…
Fontana, Lavinia (1552-1614) Visita della regina di Saba al re Salomone (The Visit of the Queen of Sheba to King Solomon) 1599 Oil on canvas, 256 x 325 cm National Gallery of Ireland, Dublin In 1872, just eight years after first opening…
Tiziano (c.1488-1576) Adorazione dei Magi (Adoration of the Magi) c.1557–1560 Oil on canvas, 223 × 120 cm Pinacoteca Ambrosiana, Milano Painted around 1559–60, the painting has much in common with Titian’s mature works. The rendering of the sky is interesting, for the…