Lippi, Filippino (1457-1504) Pietà (The Dead Christ Mourned by Nicodemus and Two Angels) c.1500 Oil on panel, 17.5 x 33.3 cm National Gallery of Art, Washington
Masolino da Panicale (c.1383-c.1440) Santi Gregorio Magno e Mattia (Saint Gregory? and Saint Matthias) c.1428–1429 Tempera grassa and oil on poplar, transferred to fibreboard, 126.3 x 59.1 cm National Gallery, London Saint Matthias is shown holding the axe that was used…
Masolino da Panicale (c.1383-c.1440) L’Arcangelo Gabriele (The Archangel Gabriel) c.1430 Tempera on poplar panel, 76.6 × 57.8 cm National Gallery of Art, Washington Shown from the knees up, a winged angel with blond hair and pale skin faces our right in profile…
Masolino da Panicale (c.1383-c.1440) La Vergine Annunciata (The Virgin Annunciate) c.1430 Tempera on panel, 76 × 57 cm National Gallery of Art, Washington Inscription: lower left on the Virgin’s book: Ecce Virgo [con]cipiet [et] p / pariet fili[u]m / et uocabit /…
Masolino da Panicale (c.1383-c.1440) Madonna dell’Umiltà (The Madonna of Humility) c.1415 Tempera on wood, gold background, 113 x 63 cm Galleria degli Uffizi, Firenze
Masaccio (1401-1428) Madonna dell’Umiltà (The Madonna of Humility) 1423–1424 Tempera on panel, 105.6 x 54.1 cm National Gallery of Art, Washington A woman holding a nude baby boy sits on a blue patterned pillow on the floor in front of a…
Masaccio (1401-1428) Trinità (The Holy Trinity) 1425–1426 Fresco, 667 x 317 cm Santa Maria Novella, Firenze In the third arcade of the left nave, in place of the altar, one can admire the fresco of the Holy Trinity (1425-1426) by Tommaso…
Masaccio (1401-1428) Madonna col Bambino (The Virgin and Child) 1426 Egg tempera on wood, 134.8 x 73.5 cm National Gallery, London This was once the central panel of an altarpiece, probably a polyptych, made by Masaccio for the Carmelite church of Santa…
Masaccio (1401-1428) Santi Girolamo e Giovanni Battista (Saints Jerome and John the Baptist) c.1428–1429 Egg tempera on poplar, 125 x 58.9 cm National Gallery, London Saint Jerome, wearing his red cardinal’s hat, and Saint John the Baptist stand side by side…