Tag: gold

A Young Man with a Chain (c.1629 or 1632)

Rembrandt (1606-1669) & Studio A Young Man with a Chain c.1629 or 1632 Oil on wood, 57.8 x 43.8 cm Cleveland Museum of Art, Cleveland This painting is an example of a tronie, a Dutch word meaning “head” or “facial…

Bust of a Man in Oriental Dress (1633)

Rembrandt (1606-1669) Bust of a Man in Oriental Dress 1633 Oil on oak, 85.8 x 63.8 cm Alte Pinakothek, Munich Paintings of individual figures in Holland in the seventeenth century that were neither portraits nor history paintings are called tronies…

Old Man with a Gold Chain (1631)

Rembrandt (1606-1669) Old Man with a Gold Chain 1631 Oil on panel, 83.1 x 75.7 cm Art Institute of Chicago, Chicago This evocative character study is an early example of a type of subject that preoccupied the great Dutch master…

Portrait of Philips Lucasz (1635)

Rembrandt (1606-1669) Portrait of Philips Lucasz 1635 Oil on oak, 79.5 x 58.9 cm National Gallery, London This painting was made in 1635, when Rembrandt was 29 years old, just over three years after he had set up his studio…

Saskia van Uylenburgh in Arcadian Costume (1635)

Rembrandt (1606-1669) Saskia van Uylenburgh in Arcadian Costume 1635 Oil on canvas, 123.5 x 97.5 cm National Gallery, London Saskia van Uylenburgh, the daughter of a burgomaster of Leeuwarden in Friesland, was 23 years old and had been married to…

Portrait of Hendrickje Stoffels (1654-1656)

Rembrandt (1606-1669) Portrait of Hendrickje Stoffels probably 1654–1656 Oil on canvas, 101.9 x 83.7 cm National Gallery, London Something doesn’t quite add up about this mysterious portrait. The sitter – Rembrandt did not identify her – has an almost regal…

Belshazzar’s Feast (c.1636-1638)

Rembrandt (1606-1669) Belshazzar’s Feast c.1636–1638 Oil on canvas, 167.6 x 209.2 cm National Gallery, London Belshazzar’s Feast was painted somewhere between 1636 and 1638, when Rembrandt was about 30 years old. He had to make his way in Amsterdam, a…

Self-portrait, bare head (1633)

Rembrandt (1606-1669) Self-portrait, bare head 1633 Oil on panel, 60 x 47 cm Musée du Louvre, Paris The gorget, quite common in Rembrandt‘s self-portraits, worn by the artist under his clothing, contributes to his taste for disguises (here as a…