Tag: gold

Saskia van Uylenburgh, the Wife of the Artist (1634-1640)

Rembrandt (1606-1669) Saskia van Uylenburgh, the Wife of the Artist probably begun 1634/1635 and completed 1638/1640 Oil on panel, 60.5 x 49 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went…

A Polish Nobleman (1637)

Rembrandt (1606-1669) A Polish Nobleman 1637 Oil on panel. 96.8 x 66 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for…

Man in Oriental Costume (c.1635)

Rembrandt (1606-1669) Man in Oriental Costume c.1635 Oil on linen, 98.5 x 74.5 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter…

Lucretia (1664)

Rembrandt (1606-1669) Lucretia 1664 Oil on canvas, 120 x 101 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a…

Danae (1636)

Rembrandt (1606-1669) Danae 1636 Oil on canvas, 185 x 202.5 cm Hermitage Museum, Saint Petersburg Love undoubtedly also inspired Rembrandt to produce Danaë. The subject was taken from the ancient myth about a princess of Argos, whose father, the king, was…

Venus Giving Arms to Aeneas (1668)

Lairesse, Gérard de (1641-1711) Venus Giving Arms to Aeneas (Venus schenkt wapens aan Aeneas) 1668 Oil on canvas, 161.8 x 165.8 cm Museum Mayer van den Bergh, Antwerp In the 17th century, classicism broke through, also in golden Holland. Artists…

Judith at the banquet of Holofernes (1634)

Rembrandt (1606-1669) Judith at the banquet of Holofernes 1634 Oil on canvas, 143 x 154.7 cm Museo del Prado, Madrid In the past various authors have expressed their scepticism about the attribution of the painting to Rembrandt. However, the Rembrandt Research…

Amor virtuoso (c.1653)

Guercino (1591-1666) Amor virtuoso (Cupid Spurning Riches) c.1653 Oil on canvas, 99 x 75 cm Museo del Prado, Madrid The papal nuncio to Spain, Camillo Massimo (1620–1677), presented Guercino’s Cupid spurning Riches and Guido Reni’s Cupid with a Bow (P150)…