Correggio (c.1489-1534) Noli me tangere c.1525 Oil on panel transferred to canvas, 130 x 103 cm Museo del Prado, Madrid Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and…
Angelico, Fra (c.1395-1455) L’Annunciazione (The Annunciation) c.1426 Tempera on panel, 162.3 x 191.5 cm Museo del Prado, Madrid This altarpiece was painted for the monastery of Santo Domenico in Fiesole, near Florence. The central panel shows the Archangel Gabriel’s Annunciation to…
Sisley, Alfred (1839-1899) Bords de riviere ou Les oies (The River Bank or Geese) 1897 Lithograph Cleveland Museum of Art, Cleveland
Signac, Paul (1863-1935) St. Tropez (The Port of St. Tropez) 1894 Color lithograph Cleveland Museum of Art, Cleveland See also: • Saint-Tropez (France)
Monet, Claude (1840-1926) En promenade près d’Argenteuil (Out for a Walk near Argenteuil) 1875 Oil on canvas, 61 x 81.4 cm Musée Marmottan Monet, Paris See also: • Argenteuil (France) | Doncieux, Camille (1847-1879) | Monet, Jean (1867-1914)
Monet, Claude (1840-1926) Green Park, London 1870 or 1871 Oil on canvas, 34.3 × 72.5 cm Philadelphia Museum of Art, Philadelphia Detail of Apsley House, home of the Duke of Wellington, and his equestrian statue. See also: • London (England) | Wellington…
Lippi, Filippo (1406-1469) Sant’Antonio Abate (St. Anthony Abbot) 1458 Tempera on wood panel, 81.3 x 29.8 x 3 cm Cleveland Museum of Art, Cleveland Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot. These panels depicting Saints Anthony…
Lippi, Filippo (1406-1469) L’Arcangelo Michele (The Archangel Michael) 1458 Tempera on wood panel, 81.3 x 29.8 x 3 cm Cleveland Museum of Art, Cleveland Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot. These panels depicting Saints…
Ernst, Max (1891-1976) Le Déjeuner sur l’Herbre (Lunch on the Grass) 1944 Oil on canvas, 68 x 150 cm Cleveland Museum of Art, Cleveland Scientific analysis of this painting shows that the black background was added last. A frightening fish isn’t…
Bonheur, Rosa (1822-1899) La Ferme à l’entrée du bois (The Farm at the Entrance of the Wood) 1860–1880 Oil on fabric, 28.4 x 40.3 cm Cleveland Museum of Art, Cleveland Bonheur‘s artistic work led her to pastures, fairs, and even slaughterhouses—unlikely…