Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…
Rossetti, Dante Gabriel (1828-1882) Beata Beatrix c.1864–1870 Oil on canvas, 86.4 x 66 cm Tate Britain, London Compare: Rossetti, Dante Gabriel (1828-1882) Beata Beatrix 1871–1872 Art Institute of Chicago, Chicago See also: • Alighieri, Dante (1265-1321) | Portinari, Beatrice (c.1266-1290) | Siddal, Elizabeth (1829-1862)
Rossetti, Dante Gabriel (1828-1882) Dantis Amor (Dante’s Love) 1860 Oil on mahogany, 74.9 x 81.3 cm Tate Britain, London «L’amor che move il sole e l’altre stelle.» (Love that moves the sun and the other stars). Dante, Paradiso, XXXIII, v. 145. See also:…
Rossetti, Dante Gabriel (1828-1882) St George and Princess Sabra 1862 Watercolour on paper, 52.4 x 30.8 cm Tate Britain, London See also: • Siddal, Elizabeth (1829-1862)
Siddal, Elizabeth (1829-1862) Lady Affixing Pennant to a Knight’s Spear c.1856 Watercolour on paper, 13.7 x 13.7 cm Tate Britain, London
Rossetti, Dante Gabriel (1828-1882) Portrait of Elizabeth Siddal 1860–1861 Photograph painted over in gouache, 5.08 x 7.62 cm Walters Art Museum, Baltimore See also: • Siddal, Elizabeth (1829-1862)
Rossetti, Dante Gabriel (1828-1882) Christina Rossetti 1866 Colored chalk on blue-gray paper, 79 x 63.5 cm Private collection See also: • Rossetti, Christina (1830-1894)
Rossetti, Dante Gabriel (1828-1882) The Holy Grail (The Damsel of the Sanct Grael) 1874 Oil on canvas, 92 x 57.7 cm Private collection See also: • Cornforth, Fanny (1835-1909)
Rossetti, Dante Gabriel (1828-1882) Fair Rosamund 1861 Oil on canvas, 51.9 x 41.7 cm National Museum Wales, Cardiff Fair Rosamund (d.c.1176) was the mistress of Henry II. She appears here behind a balustrade in the royal manor of Woodstock. The red…
Rossetti, Dante Gabriel (1828-1882) Lady Lilith 1867 Watercolor and gouache, 51.3 x 44 cm Metropolitan Museum of Art, New York Fascinated by women’s physical allure, Rossetti here imagines a legendary femme fatale as a self-absorbed nineteenth-century beauty who combs her hair…