Antonello da Messina (c.1430-1479) Ritratto d’uomo, Il Condottiere (Portrait of a Man (Giorgio Corner (1454-1527)?), known as The Condottiere) 1475 Oil on poplar, 36.2 x 30 cm Musée du Louvre, Paris Inscription: S.D.m.b. on the cartellino: 1475 / Antonellus messaneus me…
Antonello da Messina (c.1430-1479) Ritratto d’uomo (Portrait of a Man) 1474 Oil on wood, 32 x 26 cm Gemäldegalerie, Berlin
Antonello da Messina (c.1430-1479) Ritratto d’uomo (Portrait of a Man) c.1475–1476 Oil on poplar, 35.6 x 25.4 cm National Gallery, London This small painting shows how Antonello revolutionised Venetian portraiture in the late fifteenth century: the three-quarter pose, dark background and…
Antonello da Messina (c.1430-1479) Ritratto d’uomo (Portrait of a Man) c.1472–1476 Oil on panel, 27.5 x 21 cm Museo Thyssen-Bornemisza, Madrid Antonello da Messina, who according to Vasari learned the technique of oil painting directly from Van Eyck during a trip…
Antonello da Messina (c.1430-1479) Ritratto di giovane (Portrait of a Young Man) c.1475–1480 Tempera and oil on panel, 33 x 24.8 cm National Gallery of Art, Washington Attributed to Antonello da Messina. Shown from the chest up, a clean shaven, young…
Antonello da Messina (c.1430-1479) Ritratto di giovane (Portrait of a Young Man) c.1470 Oil on wood, 27 x 20.6 cm Metropolitan Museum of Art, New York Trained in Naples in the Netherlandish technique of oil painting, Antonello set the standard for…
Antonello da Messina (c.1430-1479) Crocifissione (The Crucifixion) 1455 Oil on wood, 39 x 23.25 cm Brukenthal National Museum, Sibiu
Antonello da Messina (c.1430-1479) Cristo benedicente (Christ Blessing) c.1465 Oil on wood, 38.7 x 29.8 cm National Gallery, London Christ blesses the viewer with his right hand. Antonello has altered the original position of the fingers and hand, foreshortening them –…
Renoir, Pierre-Auguste (1841-1919) Portrait d’Alfred Sisley (Portrait of Alfred Sisley) 1864 Oil on canvas, 81 x 65 cm Stiftung Sammlung E.G. Bührle, Zürich See also: • Sisley, Alfred (1839-1899)
Canova, Antonio (1757-1822) Naiade (Naiad) model 1815–1817, carved 1820–1823 Marble, 80 x 190 cm National Gallery of Art, Washington Compare: Canova, Antonio (1757-1822) Naiade 1819–1824 Metropolitan Museum of Art, New York