Fontana, Lavinia (1552-1614) Minerva in atto di abbigliarsi (Minerva Dressing) 1613 Oil on canvas, 258 x 190 cm Galleria Borghese, Roma The work, which dates back to 1613, was painted in Rome, evoked here through the dome of St. Peter’s visible…
Arcimboldo, Giuseppe (1526-1593) Il Fuoco (Fire) 1566 Oil on limewood panel, 66.5 x 51 cm Kunsthistorisches Museum, Vienna Inscribed at lower right: Joesphus Arcimboldus Mlnensis. F. On the back side: IGNIS 1566 Two paintings from the “Four Elements” series can be…
Van Eyck, Jan (c.1390-1441) The Virgin of Chancellor Rolin c.1434–1435 Oil on panel, 66 x 62 cm Musée du Louvre, Paris Painted for Nicolas Rolin (around 1376/80-1462), chancellor of the Duke of Burgundy Philippe the Good, to adorn the personal chapel (Saint-Sébastien…
Van Eyck, Jan (c.1390-1441) Madonna at the Fountain 1439 Oil on panel, 19 x 12 cm Koninklijk Museum voor Schone Kunsten, Antwerp Inscriptions: frame, lower: A XAN/ IOHES DE EYCK ME FECIT + PLEVIT ANO 1439° The Virgin Mary lovingly cradles the…
Van Eyck, Jan (c.1390-1441) Lucca Madonna c.1437 Oil on panel, 65.5 × 149.5 cm Städel Museum, Frankfurt No other work by Jan van Eyck conveys a sense of such immediate intimacy between the viewer and the figures depicted as this painting.…
Van Eyck, Jan (c.1390-1441) The Annunciation c.1434–1436 Oil on canvas transferred from panel, 90.2 x 34.1 cm National Gallery of Art, Washington A play and a painting appear to have merged in Jan van Eyck’s dramatic Annunciation, which is rich with…
Van Eyck, Jan (c.1390-1441) Portrait of Margaret van Eyck (Portret van Margareta van Eyck) 1439 Oil on panel, 32.6 x 25.8 cm Groeningemuseum, Bruges inscription and dating (top): .CO[N]IV[N]X M[EV]S IOH[ANN]ES ME C[OM]PLEVIT AN[N]O . 1439°.17°IVNIJ age ported (bottom): ETAS MEA…
Tissot, James (1836-1902) Le Banc de Jardin (The Garden Bench) c.1882 Oil on canvas Private collection
Tissot, James (1836-1902) Summer (‘Portrait’) 1876 Oil on canvas, 91.4 x 50.8 cm Tate Britain, London James Tissot is deliberately ambiguous here, inviting us to interpret it. His model, Miss Lloyd, stands at the entrance of a billiards’ room, a space…
Tissot, James (1836-1902) Le pont du HMS Calcutta, Portsmouth (Gallery of HMS Calcutta) c.1876 Oil on canvas, 68.6 x 91.8 cm Tate Britain, London Tissot often painted a man with two women in order to explore the subtle nuances of flirtation…