Angelico, Fra (c.1395-1455) L’Annunciazione (The Annunciation) c.1426 Tempera on panel, 162.3 x 191.5 cm Museo del Prado, Madrid This altarpiece was painted for the monastery of Santo Domenico in Fiesole, near Florence. The central panel shows the Archangel Gabriel’s Annunciation to…
Alma-Tadema, Lawrence (1836-1912) The Siesta, or Pompeian Scene 1868 Oil on canvas, 130 x 369 cm Museo del Prado, Madrid A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman…
Rosso Fiorentino (1495-1540) Angelo musicante (Angel playing the lute) 1521 Oil on panel, 39.5 x 47 cm Galleria degli Uffizi, Firenze
Schiele, Egon (1890-1918) Portrait of a Child (Anton Peschka, Jr.) 1916 Gouache, watercolor, and graphite on paper, 49.9 x 32.2 cm Cleveland Museum of Art, Cleveland Egon Schiele depicted a small child, the son of a friend, in this drawing devoid…
Rossetti, Dante Gabriel (1828-1882) Study for “Venus Verticordia” c.1864 Pencil Cleveland Museum of Art, Cleveland
Andrea del Sarto (1486-1530) Sacra Famiglia Medici (Madonna and Child, Saint Elizabeth and Saint John the Baptist) c.1529 Oil on panel, 140 × 104 cm Galleria Palatina, Palazzo Pitti, Firenze The scene is built with a diagonal layout of the four figures intent…
Bernini, Gian Lorenzo (1598-1680) San Lorenzo (Saint Lawrence) 1617 Marble, 66 x 108 cm Galleria degli Uffizi, Firenze
Rodin, Auguste (1840-1917) Étude d’Honoré de Balzac (Study of Honoré de Balzac) 1891–1892 Bronze, 52.7 x 39.4 x 32.4 cm Cleveland Museum of Art, Cleveland In 1891 Rodin was commissioned to create a monument honoring the celebrated French writer Honoré de…
Picasso, Pablo (1881-1973) La Vie (Life) 1903 Oil on canvas, 196.5 x 129.2 cm Cleveland Museum of Art, Cleveland In 1901, depressed over the suicide of a close friend, Picasso launched into the melancholic paintings of his Blue period (1901–4). Only…
Parmigianino (1503-1540) La sepoltura (The Entombment) 1529–1530 Etching, 27.1 x 20.4 cm Cleveland Museum of Art, Cleveland One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of…