Andrea del Sarto (1486-1530) Sacra Famiglia Medici (Madonna and Child, Saint Elizabeth and Saint John the Baptist) c.1529 Oil on panel, 140 × 104 cm Galleria Palatina, Palazzo Pitti, Firenze The scene is built with a diagonal layout of the four figures intent…
Bernini, Gian Lorenzo (1598-1680) San Lorenzo (Saint Lawrence) 1617 Marble, 66 x 108 cm Galleria degli Uffizi, Firenze
Rodin, Auguste (1840-1917) Étude d’Honoré de Balzac (Study of Honoré de Balzac) 1891–1892 Bronze, 52.7 x 39.4 x 32.4 cm Cleveland Museum of Art, Cleveland In 1891 Rodin was commissioned to create a monument honoring the celebrated French writer Honoré de…
Picasso, Pablo (1881-1973) La Vie (Life) 1903 Oil on canvas, 196.5 x 129.2 cm Cleveland Museum of Art, Cleveland In 1901, depressed over the suicide of a close friend, Picasso launched into the melancholic paintings of his Blue period (1901–4). Only…
Parmigianino (1503-1540) La sepoltura (The Entombment) 1529–1530 Etching, 27.1 x 20.4 cm Cleveland Museum of Art, Cleveland One of the most important Mannerist painters, Parmigianino was the first artist to exploit the fluid, expressive potential of etching. The graphic vocabulary of…
Murer, Eugène (1841-1906) Trilogy of Months, state II s.d. Color lithograph, 82.2 x 61 cm Cleveland Museum of Art, Cleveland See also: • Vollard, Ambroise (1866-1939)
Munch, Edvard (1863-1944) The Sin (Woman with Red Hair and Green Eyes) 1901 Color lithograph, 69.8 x 40.2 cm Cleveland Museum of Art, Cleveland The fatal women and embracing couples in Picasso’s art of the early 1900s exhibit striking affinities with…
Ingres, Jean Auguste Dominique (1780-1867) Persée et Andromède (Perseus and Andromeda) c.1819 Oil on canvas, 19.7 × 16.2 cm Detroit Institute of Arts, Detroit Ingres‘s vulnerable figure of Andromeda is the “classic” idealized figure study. The fact that she is being…
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London Artemisia Gentileschi was invited to London in 1638 by Charles I, and probably produced this…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…