Tag: hair

L’estasi di Maria Maddalena (1585-1600)

Carracci, Annibale (1560-1609) L’estasi di Maria Maddalena (The Ecstasy of Mary Magdalene) 1585–1600 Oil on panel, 37.5 x 29.5 cm Museo del Prado, Madrid According to the Golden Legend, after the death of Christ his follower Mary Magdalene moved to the…

Apoteosi dell’apostolo Giacomo (1604-1605)

Carracci, Annibale (1560-1609) Apoteosi dell’apostolo Giacomo (The Apotheosis of the Apostle James) 1604–1605 Fresco transferred to canvas, 151.3 × 103.5 cm Museo del Prado, Madrid The paintings in the chapel paid for by the Spanish banker Juan Enríquez de Herrera in the…

Infanta Margarita Teresa con vestido rosa (1654)

Velázquez, Diego (1599-1660) Infanta Margarita Teresa con vestido rosa (Infanta Margarita Teresa in pink dress) 1654 Oil on canvas, 128 × 99.6 × 3.2 cm Kunsthistorisches Museum, Vienna Margarita was the first child of the marriage between King Philip IV and his…

Infanta Margarita Teresa con vestido azul (1659)

Velázquez, Diego (1599-1660) Infanta Margarita Teresa con vestido azul (Infanta Margarita Teresa in blue dress) 1659 Oil on canvas, 125.5 × 106 × 3 cm Kunsthistorisches Museum, Vienna One year before his death Velázquez created this portrait of the eight-year old…

Large Self-Portrait (1652)

Rembrandt (1606-1669) Large Self-Portrait 1652 Oil on canvas, 112 × 81.5 cm Kunsthistorisches Museum, Vienna The self-portrait is of particular importance in Rembrandt‘s work. In total, the artist created over sixty painted self-portraits, which document not only his personal circumstances but…

Hélène Fourment (c.1636-1638)

Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…

Self-portrait (c.1638)

Rubens, Peter Paul (1577-1640) Self-portrait c.1638 Oil on canvas, 110 × 85.5 × 2.4 cm Kunsthistorisches Museum, Vienna Inscription: P.P. RUBINS (!) added later on the left of the column Despite his great successes, Rubens was always ambivalent about court life.…

Cardinal Niccolò Albergati (c.1438)

Van Eyck, Jan (c.1390-1441) Cardinal Niccolò Albergati? c.1438 Oil on oak, 34 × 29.5 cm Kunsthistorisches Museum, Vienna During a peace congress in Arras in 1435, van Eyck made a silverpoint drawing (Dresden), in which he not only recorded the physiognomy…

Ritorno del figliol prodigo (1619)

Guercino (1591-1666) Ritorno del figliol prodigo (Homecoming of the Prodigal Son) 1619 Oil on canvas, 107 × 143.5 cm Kunsthistorisches Museum, Vienna Compare: Guercino (1591-1666) Il ritorno del figliol prodigo 1654–1655 Timken Museum of Art, San Diego