Correggio (c.1489-1534) Venere e Amore spiati da un satiro (Venus and Cupid Spied on by a Satyr) c.1524–1527 Oil on canvas, 188 × 125 cm Musée du Louvre, Paris
Venere e Amore spiati da un satiro (c.1524-1527)
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Matrimonio mistico di santa Caterina (1510-1514)
Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) 1510–1514 Oil on panel, 136.2 × 123.2 cm Detroit Institute of Arts, Detroit Compare: Correggio (c.1489-1534) Matrimonio mistico di santa Caterina 1510–1515 National Gallery of Art, Washington Correggio (c.1489-1534) Matrimonio…
Matrimonio mistico di santa Caterina (c.1520)
Correggio (c.1489-1534) Matrimonio mistico di santa Caterina (The Mystic Marriage of Saint Catherine) c.1520 Oil on panel, 28.5 x 23.5 cm Museo di Capodimonte, Napoli Compare: Correggio (c.1489-1534) Matrimonio mistico di santa Caterina 1510–1514 Detroit Institute of Arts, Detroit Correggio (c.1489-1534) Matrimonio mistico…
Salvator Mundi (c.1515)
Correggio (c.1489-1534) Salvator Mundi c.1515 Oil on panel, 42.6 x 33.3 cm National Gallery of Art, Washington
Leconte de Lisle (c.1840-1841)
Millet, Jean-François (1814-1875) Leconte de Lisle c.1840–1841 Oil on canvas, 117 x 81 cm National Gallery of Art, Washington See also: • Leconte de Lisle, Charles (1818-1894)
La Baigneuse (1846-1848)
Millet, Jean-François (1814-1875) La Baigneuse (The Bather) 1846–1848 Oil on wood, 18.5 x 24.1 cm National Gallery of Art, Washington
Portrait d’homme (c.1845)
Millet, Jean-François (1814-1875) Portrait d’homme (Portrait of a Man) c.1845 Oil on canvas, 40.6 x 32.3 cm National Gallery of Art, Washington
Femme nue couchée (1844-1845)
Millet, Jean-François (1814-1875) Femme nue couchée (Reclining Female Nude) 1844–1845 Oil on canvas, 33 x 41 cm Musée d’Orsay, Paris
Portia (1886)
Millais, John Everett (1829-1896) Portia 1886 Oil on canvas, 125.1 x 83.8 cm Metropolitan Museum of Art, New York In Shakespeare’s play The Merchant of Venice, the resourceful heroine Portia disguises herself in lawyer’s robes. Her intention is to outwit the…
The Return of the Dove to the Ark (1851)
Millais, John Everett (1829-1896) The Return of the Dove to the Ark 1851 Oil on canvas, 88.2 x 54.9 cm Ashmolean Museum, Oxford