Carracci, Annibale (1560-1609) Madonna del Silenzio (Madonna and Sleeping Child with the Infant St John the Baptist) c.1599–1600 Oil on canvas, 51.2 x 68.4 cm Royal Collection, Hampton Court Palace, London
Carracci, Annibale (1560-1609) Paesaggio con la Fuga in Egitto (Landscape with the Flight into Egypt) c.1604 Oil on canvas, 122 x 230 cm Galleria Doria Pamphilj, Roma It is the leading element of the so-called “Aldobrandini Lunettes”, thanks to which the…
Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…
Carracci, Annibale (1560-1609) Pietà con le tre Marie (The Dead Christ Mourned, The Three Maries) c.1604 Oil on canvas, 92.8 x 103.2 cm National Gallery, London This is perhaps the most poignant image in the National Gallery’s collection of the pietà…
Carracci, Annibale (1560-1609) Madonna col Bambino, Santa Lucia e San Giovannino (The Madonna and Child with Saint Lucy and the Young Saint John the Baptist) c.1587–1588 Oil on panel, 78.8 x 62.7 cm Private collection
Carracci, Annibale (1560-1609) Crocifissione (The Crucifixion) c.1587–1588 Oil on canvas laid on panel, 81.5 × 61.5 cm Yale University Art Gallery, New Haven
Carracci, Annibale (1560-1609) San Giovanni Battista rende testimonianza (Saint John the Baptist Bearing Witness) c.1600 Oil on copper, 54.3 x 43.5 cm Metropolitan Museum of Art, New York Annibale launched the vogue for landscapes in which nature is transformed by the…
Mantegna, Andrea (c.1431-1506) San Sebastiano (St. Sebastian) c.1457–1459 Oil on poplar, 68 × 30 cm Kunsthistorisches Museum, Vienna Sebastian was the leader of the bodyguard of the Roman emperor Diocletian and was sentenced to death for his Christian faith. The saint…
Cranach, Lucas the Elder (1472-1553) Crucifixion of Christ c.1500–1501 Oil on lime, 58.5 × 45 cm Kunsthistorisches Museum, Vienna The small-format panel, which was probably used for private devotion, dates from Cranach‘s first known creative period, which the artist spent in…