Tag: hand

La Toilette de la mariée (1940)

Ernst, Max (1891-1976) La Toilette de la mariée (Attirement of the Bride) 1940 Oil on canvas, 129.6 x 96.3 cm Guggenheim Museum, New York © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris Attirement of the Bride is an example of Max Ernst’s veristic…

Devant le miroir (1876)

Manet, Édouard (1832-1883) Devant le miroir (Before the Mirror) 1876 Oil on canvas, 93 x 71.6 cm Guggenheim Museum, New York In 1865 Edouard Manet shocked Parisian audiences at the Salon with his painting Olympia (1863), an unabashed depiction of a prostitute…

L’Italienne (1916)

Matisse, Henri (1869-1954) L’Italienne (The Italian Woman) 1916 Oil on canvas, 116.7 x 89.5 cm Guggenheim Museum, New York Henri Matisse often painted the same subject in versions that range from relatively realistic to more abstract or schematic. At times the transition…

Jeune fille lisant (1880)

Renoir, Pierre-Auguste (1841-1919) Jeune fille lisant (Reading Girl) 1880 Oil on canvas, 57 x 47.5 cm Städel Museum, Frankfurt Renoir, like all Impressionists, was interested in motifs from everyday life. This way he could show his models in private moments: by concentrating…

Portrait de Berthe Morisot (c.1876)

Desboutin, Marcellin (1823-1902) Portrait de Berthe Morisot (Portrait of Berthe Morisot) c.1876 Drypoint, 26.2 x 17.5 cm Rijksmuseum, Amsterdam See also: • Morisot, Berthe (1841-1895)

Papa Gregorio XV (c.1622–1623)

Guercino (1591-1666) Papa Gregorio XV (Pope Gregory XV) c.1622–1623 Oil on canvas, 133.7 × 98.4 cm Getty Center, Los Angeles Giovanni Francesco Barbieri, called il Guercino or simply Guercino, meaning “The Squinter”, a nickname referring to a congenital eye condition from which…

Studio per la ‘Madonna del Pesce’ (c.1512-1514)

Raffaello (1483-1520) Studio per la ‘Madonna del Pesce’ (Study for the ‘Madonna del Pesce’) c.1512–1514 Brush and brown wash heightened with white over black chalk on paper, 25.80 x 21.30 cm Scottish National Portrait Gallery, Edinburgh This drawing shows a very…