Rembrandt (1606-1669) Portrait of Hendrickje Stoffels probably 1654–1656 Oil on canvas, 101.9 x 83.7 cm National Gallery, London Something doesn’t quite add up about this mysterious portrait. The sitter – Rembrandt did not identify her – has an almost regal…
Rembrandt (1606-1669) A Woman bathing in a Stream (Hendrickje Stoffels?) 1654 Oil on oak, 61.8 x 47 cm National Gallery, London Rembrandt’s painting, unique for him in its tender intimacy, shows a young woman almost up to her knees in…
Rembrandt (1606-1669) A Franciscan Friar c.1655 Oil on canvas, 89 x 66.5 cm National Gallery, London This man is wearing the habit of a Franciscan friar (this order of monks was founded to follow the teachings of Saint Francis of…
Rembrandt (1606-1669) An Elderly Man as Saint Paul probably 1659 Oil on canvas, 102 x 85.5 cm National Gallery, London Between the late 1650s and early 1660s Rembrandt painted a series of intimate half-length pictures of religious figures. He seems…
Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…
Rembrandt (1606-1669) Belshazzar’s Feast c.1636–1638 Oil on canvas, 167.6 x 209.2 cm National Gallery, London Belshazzar’s Feast was painted somewhere between 1636 and 1638, when Rembrandt was about 30 years old. He had to make his way in Amsterdam, a…
Rembrandt (1606-1669) Anna and the Blind Tobit c.1630 Oil on oak, 63.8 x 47.7 cm National Gallery, London Even as a young man, Rembrandt was interested in the depiction of old age and aged people. He painted them as if…
Rembrandt (1606-1669) Venus and Cupid after 1660 Oil on canvas, 118 x 90 cm Musée du Louvre, Paris Former title: Hendrickje Stoffels as Venus For vague reasons of resemblance, the painting passes, a pure supposition of Bredius (1910), to represent…
Rembrandt (1606-1669) Portrait of Hendrickje Stoffels c.1654 Oil on canvas, 74 x 61 cm Musée du Louvre, Paris Since 1883 (Bode), the model has passed convincingly to be Hendrickje Stofetls, the painter’s partner after Saskia‘s death in 1642. Typical Neo-Vetanian…
Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…