Gérôme, Jean-Léon (1824-1904) Anacréon, Bacchus et l’Amour (Anacreon with the Infants Bacchus and Cupid) modeled 1878 (cast c.1893) Bronze, 72.4 × 43.8 cm Art Institute of Chicago, Chicago In the early 19th century, industrial approaches to production created a new middle-class market for small-scale…
Gérôme, Jean-Léon (1824-1904) Portrait de femme (Portrait of a Woman) 1851 Oil on canvas, 92.6 × 73.7 cm Art Institute of Chicago, Chicago
Daumier, Honoré (1808-1879) Les amateurs d’estampes (The Engraving Lovers) 1865 Oil on wood, 27 x 36 cm Kunsthalle Mannheim, Mannheim
Delacroix, Eugène (1798-1863) Vol turc de femmes (Turkish Robbery of Women) 1852 Oil on canvas, 54 x 65.5 cm Kunsthalle Mannheim, Mannheim
Chagall, Marc (1887-1985) La mariée au bouquet (The Bride with the Bouquet of Flowers) 1924–1925 Oil on canvas, 69.1 x 55.2 cm Kunsthalle Mannheim, Mannheim
Cézanne, Paul (1839-1906) Le fumeur accoudé (The smoker leaning) 1890 Oil on canvas, 92.5 x 73.5 cm Kunsthalle Mannheim, Mannheim
Ensor, James (1860-1949) La mangeuse d’huîtres (The oyster eater) 1882 Oil on canvas, 205 x 150.5 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Ensor, James (1860-1949) Théâtre de masques (Theatre of Masks) 1908 Oil on canvas, 72 x 86 cm Museo Thyssen-Bornemisza, Madrid Masks, both diabolic and caricaturesque, are one of the principal motifs found throughout the entire artistic output of the Belgian painter James…
Ensor, James (1860-1949) La Tentation de Saint Antoine (The Temptation of Saint Anthony) 1887 Pencil, charcoal, crayon, chalk and watercolor on paper, 179.5 × 154.7 cm Art Institute of Chicago, Chicago © 2018 Artists Rights Society (ARS), New York / SABAM,…
Ensor, James (1860-1949) L’intrigue (The Intrigue) 1890 Oil on canvas, 89.5 x 149 cm Koninklijk Museum voor Schone Kunsten, Antwerp