Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave (Odalisque with a Slave) 1839–1840 Oil on canvas, 72.1 x 100.3 cm Fogg Museum, Cambridge, MA Compare: Ingres, Jean Auguste Dominique (1780-1867) L’Odalisque à l’esclave 1842 Walters Art Museum, Baltimore
Ingres, Jean Auguste Dominique (1780-1867) Raphaël et la Fornarina (Raphael and the Fornarina) 1814 Oil on canvas, 64.8 x 53.3 cm Fogg Museum, Cambridge, MA Compare: Raffaello (1483-1520) La Fornarina c.1520 Palazzo Barberini, Roma Raffaello (1483-1520) Madonna della Seggiola 1513–1514 Galleria Palatina, Firenze…
Laurencin, Marie (1883-1956) Mère et l’enfant (Mother and Child) 1928 Oil on canvas, 81.3 × 64.8 cm Detroit Institute of Arts, Detroit
Renoir, Pierre-Auguste (1841-1919) Le Guitariste espagnol (The Spanish Guitarist) 1894 Oil on canvas, 65.4 × 54.6 cm Detroit Institute of Arts, Detroit
Parmigianino (1503-1540) Ritratto di gentildonna detto La Schiava turca (Portrait of a Gentlewoman known as the Turkish slave) c.1532 Oil on panel, 68 x 53 cm Galleria Nazionale, Parma
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Parmigianino (1503-1540) Uomo che sospende la lettura (Portrait of a man with a book) 1525–1526 Oil on poplar, 67.5 × 53 cm Kunsthistorisches Museum, Vienna The stranger has paused while reading and now seems to be indulging in his own thoughts. His…
Parmigianino (1503-1540) Ritratto di un dignitario (Portrait of a dignitary) c.1535 Oil on poplar, 117.5 × 97.7 cm Kunsthistorisches Museum, Vienna The grandiose portrayal of the menacingly close man with his head turned to the side oscillates between violence and passivity, between…
Parmigianino (1503-1540) Ritratto di giovane donna (Portrait of a young lady) c.1530 Oil on poplar, 48.5 × 46.5 cm Kunsthistorisches Museum, Vienna