Renoir, Pierre-Auguste (1841-1919) La modiste (The Milliner) 1877 Pastel on paper, 53.3 x 41.3 cm Metropolitan Museum of Art, New York Renoir’s slice-of-life street scene provides just enough detail to allow us to identify his young model as an apprentice…
Renoir, Pierre-Auguste (1841-1919) Dans la prairie (In the Meadow) 1888–1892 Oil on canvas, 81.3 x 65.4 cm Metropolitan Museum of Art, New York Between 1888 and 1892 Renoir painted a number of works in which the same pair of girls—the…
Renoir, Pierre-Auguste (1841-1919) Personnes sur la plage (Figures on the Beach) 1890 Oil on canvas, 52.7 x 64.1 cm Metropolitan Museum of Art, New York Probably painted in 1890 on the Cote d’Azur in southern France, this sun-filled painting shows…
Renoir, Pierre-Auguste (1841-1919) Femme assise au bord de la mer (By the Seashore) 1883 Oil on canvas, 92.1 x 72.4 cm Metropolitan Museum of Art, New York Renoir likely painted this work in his studio, posing his model in a…
Rembrandt (1606-1669) Self-Portrait as an Old Man c.1664 Oil on canvas, 74 x 55 cm Galleria degli Uffizi, Firenze
Rembrandt (1606-1669) Self-Portrait as a Young Man c.1634 Oil on wood, 62.5 x 54 cm Galleria degli Uffizi, Firenze
Rembrandt (1606-1669) The Anatomy Lesson of Dr Nicolaes Tulp 1632 Oil on canvas, 169.5 x 216.5 cm Mauritshuis, The Hague The Anatomy Lesson of Dr Nicolaes Tulp is one of Rembrandt’s most impressive group portraits. The painting was made in…
Rembrandt (1606-1669) Maria Bockenolle, Wife of Johannes Elison 1634 Oil on canvas, 174.9 x 124.1 cm Museum of Fine Arts, Boston Maria Bockenolle was Dutch but lived in England; here she is dressed according to English fashion. Her broad-brimmed hat,…
Rembrandt (1606-1669) Portrait of a Man Wearing a Black Hat 1634 Oil on panel, 69.9 x 53 cm Museum of Fine Arts, Boston Even early in his career, Rembrandt was surrounded by a circle of students and followers. Many imitated…
Rembrandt (1606-1669) Artist in his Studio c.1628 Oil on panel, 24.8 x 31.7 cm Museum of Fine Arts, Boston A young artist stands in a nearly empty studio, brushes in hand. Rather than showing the artist in the act of…