Goya, Francisco de (1746-1828) Bartolomé Sureda y Miserol c.1803–1804 Oil on canvas, 119.7 x 79.3 cm National Gallery of Art, Washington Shown from the knees up, a cleanshaven, young man with pale, peachy skin leans on his right elbow, to our left,…
Goya, Francisco de (1746-1828) La Condesa de Chinchón (The Countess of Chinchón) 1800 Oil on canvas, 216 x 144 cm Museo del Prado, Madrid María Teresa de Bourbon y Vallabriga, Marchioness of Boadilla del Monte and Countess of Chichón, was the daughter…
Goya, Francisco de (1746-1828) Corral de locos (Yard with Madmen) 1794 Oil on tin-plated iron, 42.9 x 31.4 cm Meadows Museum, Dallas Compare: Goya, Francisco de (1746-1828) Casa de locos after 1794 Österreichische Galerie Belvedere, Vienna
Goya, Francisco de (1746-1828) Las gigantillas (Little Giants) 1791–1792 Oil on canvas 137 x 104 cm Museo del Prado, Madrid Five boys play at riding on each other’s shoulders in the game called “Chicken Fights” or “Horse and Rider” in a setting…
Goya, Francisco de (1746-1828) Autorretrato ante su caballete (Self-portrait at his easel) c.1785 Oil on canvas, 40 x 27 cm Real Academia de San Fernando, Madrid The execution of this canvas coincides with a decisive stage in Goya‘s life in Madrid. In…
Goya, Francisco de (1746-1828) El ciego de la guitarra (The Blind Guitarist) 1778 Oil on canvas, 260 x 311 cm Museo del Prado, Madrid The central motif of this work is the blind singer who travels to cities and towns, spreading…
Caillebotte, Gustave (1848-1894) Un Balcon, Boulevard Haussmann (A Balcony, Boulevard Haussmann) 1880 Oil on canvas, 69 x 62 cm Private collection A balcony at 31 Bd Haussmann, home of the painter. See also: • Boulevard Haussmann (Paris)
Caillebotte, Gustave (1848-1894) L’homme au balcon, boulevard Haussmann (Man on a Balcony) 1880 Oil on canvas, 116.5 x 89.5 cm Private collection See also: • Boulevard Haussmann (Paris)
Caillebotte, Gustave (1848-1894) Périssoires (Canoes) 1878 Oil on canvas, 155.5 x 108.5 cm Musée des Beaux-Arts, Rennes The training of Caillebotte, a student of Bonnat, seemed so short to the critic Émile Porcheron that he accused him of “tortizing perspective”. But…
Caillebotte, Gustave (1848-1894) Les orangers (The Orange Trees) 1878 Oil on canvas, 154.94 x 116.84 cm Museum of Fine Arts, Houston With brilliant hues of reds, greens, purples, and yellows, laid down in the flickering brushwork typical of Impressionism, Gustave Caillebotte…