Reynolds, Joshua (1723-1792) Infant Hercules Strangling Serpents 1786 Oil on canvas, 303 x 297 cm Hermitage Museum, Saint Petersburg In 1785 Joshua Reynolds, President of the Royal Academy of Arts in London, was commissioned by Catherine II of Russia to paint…
Reynolds, Joshua (1723-1792) The Infant Hercules c.1785–1789 Oil on millboard, 25.5 × 21 cm Princeton University Art Museum, Princeton This is believed to be a preparatory sketch for a history painting commissioned by Catherine the Great, with the subject left to…
Carracci, Annibale (1560-1609) Studio per La scelta di Ercole (Study for the Choice of Hercules) c.1595–1597 Pen and ink over traces of red chalk on paper, 22.3 × 19.3 cm Princeton University Art Museum, Princeton Annibale Carracci’s first decorative project for the…
Tintoretto, Jacopo (1518-1594) Ercole e Anteo (Hercules and Antaeus) c.1570 Oil on canvas, 152.4 x 101.6 cm Wadsworth Atheneum, Hartford
Tintoretto, Jacopo (1518-1594) Ercole scaccia il Fauno dal letto di Onfale (Hercules Expelling the Faun from Omphale’s Bed) c.1585 Oil on canvas, 112 × 106 cm Museum of Fine Arts, Budapest
Giordano, Luca (1634-1705) La lotta tra Ercole e Nesso (The Fight of Hercules and Nessus) c.1660–1665 Oil on canvas, 137.5 x 167.5 cm Museum of Fine Arts, Budapest
Carpaccio, Vittore (c.1460-c.1526) Sogno di Sant’Orsola (The Dream of Saint Ursula) c.1495 Oil on canvas, 273 x 567 cm Gallerie dell’Accademia, Venezia This is the fifth of nine paintings in the cycle of the Legend of St. Ursula (Storie di sant’Orsola).…
Allori, Alessandro (1535-1607) Ercole coronato dalle Muse (Hercules crowned by the Muses) 1568 Oil on copper, 40 x 29.5 cm Galleria degli Uffizi, Firenze See also: • Francesco I de’ Medici (1541-1587)
Canova, Antonio (1757-1822) (after) Ercole e Lica (Hercules and Lichas) Late 19th century Bronze, 27.6 × 18.5 × 14.1 cm National Gallery of Victoria, Melbourne
Lairesse, Gérard de (1641-1711) Hercules between Vice and Virtue c.1685 Oil on canvas, 112 x 181 cm Musée du Louvre, Paris The theme comes from the famous apologue of Prodicas, transmitted by Xenophon (Memorabilia, II, 1, 21-34), often represented by painters…