Signac, Paul (1863-1935) La Seine aux Andelys (The Seine at Les Andelys) 1886 Oil on canvas, 45.7 x 64.8 cm Norton Simon Museum, Pasadena See also: • Les Andelys (France)
Signac, Paul (1863-1935) Lavandières au bord de la Seine aux Andelys (Washerwomen by the Seine at Les Andelys) c.1897 Color lithograph, 30.2 × 45.5 cm Philadelphia Art Museum, Philadelphia In the 1890s Signac and his colleagues challenged the methods of the Impressionists…
Turner, Joseph Mallord William (1775-1851) The Villa of Maecenas at Tivoli c.1794–1797 Wash over graphite on paper, 29.3 x 41.5 cm National Gallery of Canada, Ottawa See also: • Tivoli (Italia)
Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue (The Prodigal Son) c.1879 Oil on linen, 106.5 x 146.7 cm National Gallery of Art, Washington Compare: Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue 1879 Princeton University Art Museum, Princeton Puvis de…
Pissarro, Camille (1830-1903) Un Ruisseau à Saint-Thomas, Îles Vierges (A Creek in St. Thomas, Virgin Islands) 1856 Oil on academy board, 24.5 x 32.2 cm National Gallery of Art, Washington See also: • St Thomas (US Virgin Islands)
Pissarro, Camille (1830-1903) Deux femmes causant au bord de la mer, Saint Thomas (Two Women Chatting by the Sea, St. Thomas) 1856 Oil on canvas, 27.7 x 41 cm National Gallery of Art, Washington See also: • St Thomas (US Virgin Islands)
Matisse, Henri (1869-1954) Fête des fleurs (Festival of Flowers, Nice) 1923 Oil on canvas, 65.5 x 92.7 cm Cleveland Museum of Art, Cleveland While living in Nice after World War I, Matisse adopted a more relaxed style saturated with the warm…
Gainsborough, Thomas (1727-1788) Rocky, Wooded Landscape with a Dell and Weir c.1782–1783 Oil on canvas, 70.5 x 91 cm Cleveland Museum of Art, Cleveland Gainsborough collected and was inspired by Dutch landscape painting. In a sketchy manner, Gainsborough convincingly singled out…
Corot, Jean-Baptiste-Camille (1796-1875) Étang à Ville-d’Avray (Pond at Ville-d’Avray) late 1860s Oil on fabric, 58.1 x 99.4 cm Cleveland Museum of Art, Cleveland The dreamlike quality of the painting reflects Corot’s desire to reproduce the “first Impression” of the landscape. Corot…
Bruegel the Elder, Pieter (c.1525-1569) The Rabbit Hunt 1560 Etching, 22.1 x 29 cm Cleveland Museum of Art, Cleveland In this etching considered the artist’s only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of…