Monet, Claude (1840-1926) Champ de coquelicots près de Vétheuil (Poppy field near Vétheuil) c.1879 Oil on canvas, 73 x 92 cm Bührle Collection, Zürich See also: • Vétheuil (France)
Pinturicchio (c.1454-1513) Crocifissione tra i santi Cristoforo e Girolamo (Christ on the Cross between Sts. Christopher and Jerome) Ante 1473 or c.1475–1478 Oil on panel, 59 x 40 cm Galleria Borghese, Roma This panel has been in the Borghese Collection only since…
Bellini, Giovanni (c.1430-1516) Giovane donna nuda allo specchio (Young woman at her toilette) 1515 Oil on poplar panel, 62.9 x 78.3 cm Kunsthistorisches Museum, Vienna Inscription: “Joannes bellinus faciebat M.D.X.V.” As an elderly man, Bellini turned to the depiction of a…
Braque, Georges (1882-1963) Paysage à la Ciotat (Landscape in La Ciotat) 1907 Oil on canvas, 51 x 62 cm Private collection Braque’s magnificent depiction of La Ciotat in the south of France is a seminal image of the Fauve revolution at…
Van der Weyden, Rogier (c.1399-1464) St. Catherine c.1451 Oil on oak panel, 18.5 x 11.8 cm Kunsthistorisches Museum, Vienna Right wing of a diptych. Left wing: Van der Weyden, Rogier (c.1399-1464) Madonna and Child c.1451 Kunsthistorisches Museum, Vienna
Ruskin, John (1819-1900) View of S. Anastasia at Verona, across the Adige s.d. Watercolor, pencil and brush, 14.8 x 22.5 cm Rijksmuseum, Amsterdam See also: • Verona (Italia)
Cézanne, Paul (1839-1906) Baigneurs dans un paysage vallonné (Bathers in a hilly landscape) c.1896–1898 Print on paper, 479 x 635 cm Rijksmuseum, Amsterdam Alternative titles: Les Grands Baigneurs (The Great Bathers) / Baigneurs au repos (Bathers at rest).
Turner, Joseph Mallord William (1775-1851) Landscape s.d. Oil on panel, 63.3 x 90.7 cm Hermitage Museum, Saint Petersburg Attributed to Joseph Mallord William Turner (1775-1851).
Raffaello (1483-1520) Madonna Conestabile (Conestabile Madonna) c.1504 Tempera on canvas (handed over from panel), 17.5 x 18 cm Hermitage Museum, Saint Petersburg Raphael entered the history of Italian art as the “genius of harmony”. The ideals of the High Renaissance were…