Seurat, Georges (1859-1891) La Manche à Gravelines, un soir (The Channel at Gravelines, Evening) 1890 Oil on canvas, 65.4 x 81.9 cm Museum of Modern Art, New York Study: Seurat, Georges (1859-1891) Étude pour La Manche à Gravelines, un soir 1890…
Pissarro, Camille (1830-1903) Bassins Duquesne et Berrigny á Dieppe, temps gris (The Duquesne and Berrigny Bassins at Dieppe, Overcast Weather) 1902 Oil on canvas, 52.1 x 64.8 cm Worcester Art Museum, Worcester See also: • Dieppe (France)
Boudin, Eugène (1824-1898) Le Port de Trouville, pendant les travaux (Port of Trouville, Repairs in the Harbor) 1890 Oil on canvas, 36.2 x 58.6 cm Worcester Art Museum, Worcester See also: • Trouville-sur-Mer (France)
Watteau, Antoine (1684-1721) La Proposition embarrassante (Embarrasing Proposal) 1715–1716 Oil on canvas, 65 × 84.5 cm Hermitage Museum, Saint Petersburg Watteau was the first 18th-century French artist to create something totally new in his work, something previously unknown, in despite of the…
Watteau, Antoine (1684-1721) Le Savoyard et la Marmotte (Savoyard with a Marmot) 1716 Oil on canvas, 40.5 × 32.5 cm Hermitage Museum, Saint Petersburg Antoine Watteau was one of the most brilliant artists of the early 18th century. His work gave rise…
Courbet, Gustave (1819-1877) La Vallée d’Ornans (The Valley of Ornans) 1858 Oil on canvas, 59.7 x 85.4 cm Saint Louis Art Museum, St. Louis Two disparate expanses of terrain – one infused with afternoon sunlight, the other in shadow – converge in…
Gauguin, Paul (1848-1903) Paysage avec un cheval (Landscape with a Horse) 1899 Oil on burlap, 70.8 x 44.5 cm Saint Louis Art Museum, St. Louis In this scene Paul Gauguin depicted a group of huts and a single wild horse against…
Van Gogh, Vincent (1853-1890) L’Escalier d’Auvers (Stairway at Auvers) 1890 Oil on canvas, 50 × 70.5 cm Saint Louis Art Museum, St. Louis The expressive, swirling lines of the foreground road move backward to the center of the composition and join the…
Pissarro, Camille (1830-1903) Vue de Bazincourt (View of Bazincourt) 1889 Watercolor on cotton mounted to pulpboard, 20.5 x 25.6 cm Brooklyn Museum, New York SIGNATURE: Signed and dated lower center: “C. Pissarro. 1889.” INSCRIPTIONS: Inscribed lower left: “A mon cher Fred. Souvenir…
Gainsborough, Thomas (1727-1788) View in Suffolk c.1755 Oil on canvas, 95.9 x 125.4 cm Saint Louis Art Museum, St. Louis The sun-drenched river bank, an amorous couple, and a leisurely rider offer a variety of details that create an idyllic setting. This…