Zurbarán, Francisco de (1598-1664) La Inmaculada Concepción (The Immaculate Conception) 1661 Oil on canvas, 136.5 x 102 cm Museum of Fine Arts, Budapest Compare: Zurbarán, Francisco de (1598-1664) La Inmaculada Concepción 1628–1630 Museo del Prado, Madrid
Ribera, Jusepe de (1591-1652) Immacolata Concezione (The Immaculate Conception) c.1637 Oil on canvas, 220 × 160 cm Museo del Prado, Madrid
Tiepolo, Giambattista (1696-1770) L’Immacolata Concezione (The Immaculate Conception) 1733–1736 Oil on canvas, 33.8 × 28.3 cm Detroit Institute of Arts, Detroit Compare: Tiepolo, Giambattista (1696-1770) L’Immacolata Concezione 1767–1769 Museo del Prado, Madrid
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Murillo, Bartolomé Esteban (1617-1682) La Inmaculada Concepción (The Immaculate Conception) 1662–1665 Oil on canvas, 172 x 298 cm Musée du Louvre, Paris Inscription: On the phylactery held by two angels: “IN PRINCIPIO DILEXIT EAM”. Part of a series of four large…
Murillo, Bartolomé Esteban (1617-1682) La Inmaculada Concepción (The Immaculate Conception) c.1665 Oil on canvas, 235 × 208 cm National Gallery of Victoria, Melbourne
Tiepolo, Giambattista (1696-1770) L’Immacolata Concezione (The Immaculate Conception) 1767–1769 Oil on canvas, 281 x 155 cm Museo del Prado, Madrid This majestic image was part of a cycle of seven altarpieces commissioned in 1767 for the new royal church of…
Zurbarán, Francisco de (1598-1664) La Inmaculada Concepción (Immaculate Conception) 1628–1630 Oil on canvas, 128 x 89 cm Museo del Prado, Madrid The worship of the Immaculate Virgin is one of seventeenth-century Spain‘s identity traits, especially following a considerable argument between…