Tag: inscription

Compianto sul Cristo morto (1495)

Perugino (c.1446-1523) Compianto sul Cristo morto (Lamentation over the Dead Christ) 1495 Oil on wood, 220 x 195 cm Galleria Palatina, Palazzo Pitti, Firenze Inscription: PETRUS PERUSINUS PINXIT A.D. MCCCCLXXXXV The body of Christ taken down from the cross is lying over…

Crocifissione (c.1482-1485)

Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…

Porta del Paradiso (1425-1452)

Ghiberti, Lorenzo (1378-1455) Porta del Paradiso (Gates of Paradise) 1425–1452 Gilt bronze, 599 × 462 × 245 cm Battistero di San Giovanni, Firenze Damaged during the flood of Florence, the original panels, after having been restored, are kept in the…

Incoronazione della Vergine (c.1434-1435)

Angelico, Fra (c.1395-1455) Incoronazione della Vergine (Coronation of the Virgin) c.1434–1435 Tempera on poplar, 209 x 206 cm Musée du Louvre, Paris The miter-shaped cutout of the painted surface at the top is original. Main register of an altarpiece from which elements…

I beati domenicani II (c.1423-1424)

Angelico, Fra (c.1395-1455) I beati domenicani II (The Dominican Blessed) c.1423–1424 Egg tempera on wood, 31.6 x 21.9 cm National Gallery, London This panel shows the Dominican Blessed, both tertiaries (those who lived in general society rather than a convent, but were…

I beati domenicani I (c.1423-1424)

Angelico, Fra (c.1395-1455) I beati domenicani I (The Dominican Blessed) c.1423–1424 Egg tempera on wood, 31.8 x 21.9 cm National Gallery, London The Dominican Blessed, both friars and nuns, dressed in the distinctive black and white habits of the Dominican Order, are…

San Romolo (c.1423-1424)

Angelico, Fra (c.1395-1455) San Romolo (Saint Romulus) c.1423–1424 Egg tempera on wood, 16 x 15.6 cm National Gallery, London We can piece together who this saint is: his mitre (hat) and crosier (crook) identify him as a bishop, and a faint inscription…

Crocifissione (c.1420-1423)

Angelico, Fra (c.1395-1455) Crocifissione (The Crucifixion) c.1420–1423 Tempera on wood, gold ground, 63.8 x 48.3 cm Metropolitan Museum of Art, New York This early work by Fra Angelico accentuates the drama of the Crucifixion by showing the Virgin collapsed in grief with…

Crocifissione (c.1440)

Angelico, Fra (c.1395-1455) Crocifissione (The Crucifixion) c.1440 Tempera transferred to canvas, laid down on wood, gold ground, 34 x 50.2 cm Metropolitan Museum of Art, New York To the left of the Crucifixion are shown Saints Monica, her son Augustine, and Peter…