Monet, Claude (1840-1926) Jean Monet dans son berceau (The Cradle – Camille with the Artist’s Son Jean) 1867 Oil on canvas, 116.2 x 88.8 cm National Gallery of Art, Washington We look slightly down onto a baby tucked into an…
Monet, Claude (1840-1926) Portrait de Suzanne aux soleils (Portrait of Suzanne Hoschedé with Sunflowers) 1890 Oil on canvas, 162 x 107 cm Private collection See also: • Hoschedé Butler, Suzanne (1863-1899)
Renoir, Pierre-Auguste (1841-1919) Jeune femme au chat (Woman with a Cat) c.1875 Oil on canvas, 56 x 46.4 cm National Gallery of Art, Washington Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a…
Renoir, Pierre-Auguste (1841-1919) L’odalisque (Odalisque) 1870 Oil on canvas, 69.2 x 122.6 cm National Gallery of Art, Washington A woman wearing a sheer white blouse, short red and gold vest, and full-legged, patterned pants cinched below the knee lies back…
Renoir, Pierre-Auguste (1841-1919) Enfant aux jouets, Gabrielle et Jean (Child with Toys, Gabrielle and the Artist’s Son, Jean) 1895–1896 Oil on canvas, 54.3 x 65.4 cm National Gallery of Art, Washington Shown from about the waist up, a woman with…
Renoir, Pierre-Auguste (1841-1919) Jeune femme à la rose, Colonna Romano (Young Girl with a Rose) c.1913 Oil on canvas, 65.2 x 54.5 cm Musée d’Orsay, Paris See also: • Colonna-Romano, Gabrielle (1888-1981)
Rembrandt (1606-1669) Maria Bockenolle, Wife of Johannes Elison 1634 Oil on canvas, 174.9 x 124.1 cm Museum of Fine Arts, Boston Maria Bockenolle was Dutch but lived in England; here she is dressed according to English fashion. Her broad-brimmed hat,…
Rembrandt (1606-1669) Reverend Johannes Elison 1634 Oil on canvas, 174 x 124.5 cm Museum of Fine Arts, Boston The Reverend Johannes Elison was the minister of the Dutch Reformed Church in Norwich, England; his wife, Maria Bockenolle, is represented in…
Rembrandt (1606-1669) Artist in his Studio c.1628 Oil on panel, 24.8 x 31.7 cm Museum of Fine Arts, Boston A young artist stands in a nearly empty studio, brushes in hand. Rather than showing the artist in the act of…