Rembrandt (1606-1669) The Woman taken in Adultery 1644 Oil on oak, 83.8 x 65.4 cm National Gallery, London A woman kneels and weeps. Darkness like a great cavern surrounds her. A shaft of light picks her out on the stone…
Rembrandt (1606-1669) The Lamentation over the Dead Christ c.1635 Oil on paper and pieces of canvas, mounted onto oak, 31.9 x 26.7 cm National Gallery, London Christ’s body has just been taken down from the Cross, and his family and…
Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…
Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…
Rembrandt (1606-1669) The Holy Family with St Anne 1640 Oil on panel, 41 x 34 cm Musée du Louvre, Paris The Christian meaning of the painting has often been obliterated in favor of a purely secular interpretation: for example at…
Rembrandt (1606-1669) The Circumcision 1661 Oil on canvas, 56.5 x 75 cm National Gallery of Art, Washington After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633),…
Rembrandt (1606-1669) Holy Family 1645 Oil on canvas, 117 x 91 cm Hermitage Museum, Saint Petersburg One of the key subjects for Rembrandt was the Holy Family that perhaps for him embodied the lost dream of a happy home life. In…
Rembrandt (1606-1669) Descent from the Cross 1634 Oil on canvas, 158 x 117 cm Hermitage Museum, Saint Petersburg Like other paintings by Rembrandt on Christian subjects, The Descent from the Cross was not intended for a church, as in Protestant Holland…
Lairesse, Gérard de (1641-1711) The Institution of the Eucharist 1664–1665 Oil on canvas, 137 x 155 cm Musée du Louvre, Paris Dated quite early in the artist’s work, around 1664–1665. – Another reduced version at the Rijksmuseum, Amsterdam (Roy, no P 10).…
Zurbarán, Francisco de (1598-1664) El Salvador bendiciendo (The Saviour in Blessing) 1638 Oil on canvas, 100 x 72 cm Museo del Prado, Madrid This is the only example known to have been painted by Zurbarán of the medieval iconography of…