Raffaello (1483-1520) L’orazione nell’Orto (The Agony in the Garden) c.1504 Oil on wood, 24.1 x 28.9 cm Metropolitan Museum of Art, New York This panel was originally part of the base (predella) of the Colonna Altarpiece (Pala Colonna). This panel was…
Raffaello (1483-1520) Processione al Calvario (The Procession to Calvary) c.1504–1505 Oil on poplar, 24.4 x 85.5 cm National Gallery, London This is one of three scenes from the predella of Raphael’s Colonna Altarpiece, painted for the convent of S. Antonio da Padua…
Raffaello (1483-1520) Pietà c.1503–1505 Oil on poplar panel, 23.6 x 28.8 cm Isabella Stewart Gardner Museum, Boston This panel was originally part of the base (predella) of the Colonna Altarpiece (Pala Colonna). Not satisfied with a single Raphael painting, Isabella Stewart Gardner…
Raffaello (1483-1520) La Belle Jardinière (Madonna and Child with Saint John the Baptist) c.1507–1508 Oil on panel, 122 x 80 cm Musée du Louvre, Paris
Michelangelo (1475-1564) Tondo Doni (The Holy Family) 1505–1506 Tempera grassa on wood, diameter 120 cm Galleria degli Uffizi, Firenze Michelangelo painted this Holy Family for a Florentine merchant, Agnolo Doni, whose prestigious marriage to Maddalena Strozzi in 1504 took place in…
Michelangelo (1475-1564) Madonna della Scala (Madonna of the Stairs) c.1490 Marble bas-relief, 56.7 x 40.1 cm Casa Buonarroti, Firenze The Madonna della scala, or Madonna of the Stairs, of which no mention was made during Michelangelo’s lifetime, was cited for the…
Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo‘s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. See also: Turner, Joseph (1775-1851) A Copy of Michelangelo’s Pieta 1827 Tate Britain, London
Holbein, Hans the Younger (c.1497-1543) Noli me Tangere 1526–1528 Oil on oak panel, 76.7 x 95.8 cm Royal Collection, Hampton Court Palace, London When the diarist John Evelyn saw this painting in Charles II’s Private Lodgings at Whitehall in 1680 he recorded…
Tiziano (c.1488-1576) Ecce Homo 1543 Oil on canvas, 242 x 361 cm Kunsthistorisches Museum, Vienna Signature: Referenced bottom center of the note: TITIANVS EQVES CES F. 1543 The scene was rarely depicted in Italy, but is probably explained by the Flemish origin…
Tiziano (c.1488-1576) Ecce Homo 1547 Oil on slate, 69 x 56 cm Museo del Prado, Madrid Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a…