Tag: landscape

La pêche (1862-1863)

Manet, Édouard (1832-1883) La pêche (Fishing) c.1862–1863 Oil on canvas, 76.8 x 123.2 cm Metropolitan Museum of Art, New York Patterned after elements in landscapes by Peter Paul Rubens, the present painting gives currency to Delacroix‘s recommendation to Manet: “Look…

Les funérailles (c.1867)

Manet, Édouard (1832-1883) Les funérailles (The Funeral) c.1867 Oil on canvas, 72.7 x 90.5 cm Metropolitan Museum of Art, New York Manet’s unfinished painting is thought to depict the funeral of the writer Charles Baudelaire, which took place on September…

Aux courses (c.1875)

Manet, Édouard (1832-1883) Aux courses (At the Races) c.1875 Oil on wood, 12.6 x 21.9 cm National Gallery of Art, Washington We find ourselves on an emerald-green, grassy racetrack as a dusty cluster of horses and their jockeys bear directly…

Le Vieux Musicien (1862)

Manet, Édouard (1832-1883) Le Vieux Musicien (The Old Musician) 1862 Oil on canvas, 187.4 x 248.2 cm National Gallery of Art, Washington In a review of the 1846 Salon, poet and critic Charles Baudelaire urged artists to depict “the heroism…

Une ferme en Bretagne (c.1894)

Gauguin, Paul (1848-1903) Une ferme en Bretagne (A Farm in Brittany) c.1894 Oil on canvas, 72.4 x 90.5 cm Metropolitan Museum of Art, New York From early in his career Gauguin was attracted to the relatively remote and unspoiled terrain…

Deux femmes (1901 or 1902)

Gauguin, Paul (1848-1903) Deux femmes (Two Women) 1901 or 1902 Oil on canvas, 73.7 x 92.1 cm Metropolitan Museum of Art, New York Gauguin based this formidable composition on a photograph of two women seated side by side on the…

Paysage tahitien (1892)

Gauguin, Paul (1848-1903) Paysage tahitien (Tahitian Landscape) 1892 Oil on canvas, 64.5 x 47.3 cm Metropolitan Museum of Art, New York Although the authorship of this picture was once questioned, cleaning and reexamination have securely demonstrated that it is one…

La Sieste (c.1892-1894)

Gauguin, Paul (1848-1903) La Sieste (The Siesta) c.1892–1894 Oil on canvas, 88.9 x 116.2 cm Metropolitan Museum of Art, New York The unaffected grace and communal ease of Tahitian women impressed Gauguin enormously. The artist worked on this painting over…

Veduta di Pirna dalla fortezza di Sonnenstein (1750s)

Bellotto, Bernardo (1721–1780) Veduta di Pirna dalla fortezza di Sonnenstein (View of Pirna from the Sonnenstein Castle) 1750s Oil on canvas, 136 × 237 cm Hermitage Museum, Saint Petersburg Compare: Bellotto, Bernardo (1721-1780) Veduta di Pirna in Sassonia 1763 Wadsworth Atheneum, Hartford…

Vaprio d’Adda (1744)

Bellotto, Bernardo (1721–1780) Vaprio d’Adda 1744 Oil on canvas, 64.1 x 99.7 cm Metropolitan Museum of Art, New York By carefully staging the sunlight hitting the facades rising above the Adda River, Bellotto picks out the north Italian villages of…