Pissarro, Camille (1830-1903) Bassins Duquesne et Berrigny á Dieppe, temps gris (The Duquesne and Berrigny Bassins at Dieppe, Overcast Weather) 1902 Oil on canvas, 52.1 x 64.8 cm Worcester Art Museum, Worcester See also: • Dieppe (France)
Boudin, Eugène (1824-1898) Le Port de Trouville, pendant les travaux (Port of Trouville, Repairs in the Harbor) 1890 Oil on canvas, 36.2 x 58.6 cm Worcester Art Museum, Worcester See also: • Trouville-sur-Mer (France)
Turner, Joseph Mallord William (1775-1851) The Banks of the Loire c.1829 Oil on canvas, 71.3 x 53.3 cm Worcester Art Museum, Worcester
Signac, Paul (1863-1935) Golfe Juan 1896 Oil on canvas, 65.4 x 81.3 cm Worcester Art Museum, Worcester See also: • Golfe-Juan (France)
Murillo, Bartolomé Esteban (1617-1682) Santa Rosa de Viterbo (Saint Rosa of Viterbo) c.1650 Oil on canvas, 83.3 x 64.1 cm Worcester Art Museum, Worcester
Watteau, Antoine (1684-1721) Signature du contrat de mariage et danse à la campagne (Marriage Contract and Country Dance) c.1711 Oil on canvas, 47 × 55 cm Museo del Prado, Madrid Known as a painter of “fêtes galantes”, Watteau combines a depiction of…
Watteau, Antoine (1684-1721) La Proposition embarrassante (Embarrasing Proposal) 1715–1716 Oil on canvas, 65 × 84.5 cm Hermitage Museum, Saint Petersburg Watteau was the first 18th-century French artist to create something totally new in his work, something previously unknown, in despite of the…
Gauguin, Paul (1848-1903) Te Faaturuma (The Brooding Woman) 1891 Oil on canvas, 91.1 x 68.7 cm Worcester Art Museum, Worcester
Fragonard, Jean-Honoré (1732-1806) Le Retour du troupeau (Return of the Drove) c.1768–1770 Oil on canvas, 64.1 x 80 cm Worcester Art Museum, Worcester
Watteau, Antoine (1684-1721) La Boudeuse (The Capricious Girl) c.1718 Oil on canvas, 42 × 34 cm Hermitage Museum, Saint Petersburg When Watteau was elected a member of the French Academy of Arts, a term was specially invented to describe the kind of…