Tag: landscape

Il ristoro miracoloso (1604-1605)

Carracci, Annibale (1560-1609) Il ristoro miracoloso (The miraculous refreshment) 1604–1605 Fresco transferred to canvas, 126 x 230.5 cm Museo del Prado, Madrid The paintings in the chapel paid for by the Spanish banker Juan Enríquez de Herrera in the church of Santiago…

Cristo e la Samaritana al pozzo (c.1596-1597)

Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) c.1596–1597 Oil on canvas, 76.5 x 63.5 cm Museum of Fine Arts, Budapest Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo 1594–1595 Pinacoteca di Brera, Milano    

Cristo e la Samaritana al pozzo (1594-1595)

Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo (Christ and the Samaritan Woman) 1594–1595 Oil on canvas, 170 × 225 cm Pinacoteca di Brera, Milano Compare: Carracci, Annibale (1560-1609) Cristo e la Samaritana al pozzo c.1596–1597 Museum of Fine Arts, Budapest    

Paesaggio con la Fuga in Egitto (c.1604)

Carracci, Annibale (1560-1609) Paesaggio con la Fuga in Egitto (Landscape with the Flight into Egypt) c.1604 Oil on canvas, 122 x 230 cm Galleria Doria Pamphilj, Roma It is the leading element of the so-called “Aldobrandini Lunettes”, thanks to which the…

Domine, quo vadis? (1601-1602)

Carracci, Annibale (1560-1609) Domine, quo vadis? (Christ appearing to Saint Peter on the Appian Way) 1601–1602 Oil on wood, 77.4 x 56.3 cm National Gallery, London Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by…

Sileno che raccoglie l’uva (1597-1600)

Carracci, Annibale (1560-1609) Sileno che raccoglie l’uva (Silenus gathering Grapes) 1597–1600 Oil and egg on wood, 54.5 x 88.5 cm National Gallery, London Using an animal skin, two laughing satyrs with pointed ears and short tails – although without the usual hairy…

Marsia e Olimpo (1597-1600)

Carracci, Annibale (1560-1609) Marsia e Olimpo (Marsyas and Olympus) 1597–1600 Oil on wood, 34.4 x 84.2 cm National Gallery, London A naked golden-haired youth sits on a rock, playing the panpipes; another set of pipes hangs from the tree behind him.…

La sepoltura di Cristo (1595)

Carracci, Annibale (1560-1609) La sepoltura di Cristo (The Burial of Christ) 1595 Oil on copper, 43.8 x 34.9 cm Metropolitan Museum of Art, New York This deeply moving picture was painted for one of Carracci’s patrons, Astorre di Vincenzo Sampieri, a…

San Giovanni Battista rende testimonianza (c.1600)

Carracci, Annibale (1560-1609) San Giovanni Battista rende testimonianza (Saint John the Baptist Bearing Witness) c.1600 Oil on copper, 54.3 x 43.5 cm Metropolitan Museum of Art, New York Annibale launched the vogue for landscapes in which nature is transformed by the…