Tag: landscape

I am half sick of shadows (1915)

Waterhouse, John William (1849-1917) ‘I am half sick of shadows,’ said The Lady of Shalott (Alfred, Lord Tennyson, The Lady of Shalott, Part II) 1915 Oil on canvas, 100.3 x 73.7 cm Art Gallery of Ontario, Toronto See also: • Tennyson, Alfred (1809-1892)

Vétheuil en été (1879)

Monet, Claude (1840-1926) Vétheuil en été (Vétheuil in Summer) 1879 Oil on canvas, 67.7 x 90.5 cm Art Gallery of Ontario, Toronto Compare: Monet, Claude (1840-1926) Vétheuil 1879 National Gallery of Victoria, Melbourne     See also: • Vétheuil (France)

Vue de Volterra (1838)

Corot, Jean-Baptiste-Camille (1796-1875) Vue de Volterra (View of Volterra) 1838 Oil on canvas, 32.2 x 24.4 cm Timken Museum of Art, San Diego In 1834, on his second trip to Italy, Corot spent a month in the 14th century hill town…

La Corniche près de Monaco (1884)

Monet, Claude (1840-1926) La Corniche près de Monaco (La Corniche near Monaco) 1884 Oil on canvas, 75 x 94 cm Rijksmuseum, Amsterdam In Monet’s time La Corniche was a narrow mountain track; nowadays, it is the main road between Nice and…

Le Bateau-atelier (1876)

Monet, Claude (1840-1926) Le Bateau-atelier (The Studio Boat) 1876 Oil on canvas, 72.7 x 60 cm Barnes Foundation, Philadelphia The figure in the boat is the artist, Claude Monet, who outfitted this floating studio with all his supplies so that he…

Haere Pape (1892)

Gauguin, Paul (1848-1903) Haere Pape 1892 Oil on canvas, 91.4 x 67.3 cm Barnes Foundation, Philadelphia Fed up with industrialized Europe, Paul Gauguin went to Tahiti in 1891 seeking a simpler, more “primitive” way of life, one uncorrupted by modern technology…

Les Persiennes (1919)

Matisse, Henri (1869-1954) Les Persiennes (The Venetian Blinds) 1919 Oil on canvas, 130 × 89 cm Barnes Foundation, Philadelphia Henri Matisse painted this canvas in his hotel room in Nice, in the South of France, where he spent his winters beginning…

Nocturne: Blue and Gold—Southampton Water (1872)

Whistler, James Abbott McNeill (1834-1903) Nocturne: Blue and Gold—Southampton Water 1872 Oil on canvas, 51 × 76.7 cm Art Institute of Chicago, Chicago In the early 1870s James McNeill Whistler took a radical step toward abstraction with his Nocturnes series. In…