Rodin, Auguste (1840-1917) Le Penseur (The Thinker) 1903–1904 Bronze, 189 x 98 x 140 cm Musée Rodin, Paris
Le Penseur (1903-1904)
Tag: leg
Adam (1880-1881)
Rodin, Auguste (1840-1917) Adam modeled 1880 or 1881, cast 1910 Bronze, 194 × 77.2 × 82.6 cm Metropolitan Museum of Art, New York Auguste Rodin’s first commission from the French government, The Gates of Hell, was intended to be the portal…
Eve (1881)
Rodin, Auguste (1840-1917) Eve modeled 1881, cast 1910 Bronze, 174 × 52.1 × 59.7 cm Metropolitan Museum of Art, New York Rodin intended Eve and the towering Adam to flank his monumental bronze doorway, The Gates of Hell. There, the biblical…
L’Âge d’airain (1876)
Rodin, Auguste (1840-1917) L’Âge d’airain (The Age of Bronze) modeled 1876, cast c.1906 Bronze, 182.9 cm Metropolitan Museum of Art, New York Rodin’s breakout sculpture, The Age of Bronze caused a critical scandal for its extreme naturalism and ambiguous subject matter.…
Le Baiser (c.1882)
Rodin, Auguste (1840-1917) Le Baiser (The Kiss) c.1882 Marble, 181.5 × 112.5 × 117 cm Musée Rodin, Paris
Pietà (1563)
Tintoretto, Jacopo (1518-1594) Pietà 1563 Oil on canvas, 108 x 170 cm Pinacoteca di Brera, Milano
Pan and Syrinx (1617)
Brueghel, Jan the Elder (1568-1625) Pan and Syrinx 1617 Oil on panel, 33 x 43 cm Pinacoteca di Brera, Milano
Forme uniche della continuità nello spazio (1913)
Boccioni, Umberto (1882-1916) Forme uniche della continuità nello spazio (Unique Forms of Continuity in Space) 1913, cast 1950 Bronze, 121.3 x 88.9 x 40 cm Metropolitan Museum of Art, New York The Futurists’ celebration of the fast pace and mechanical…
Baccanale: un fauno preso in giro da bambini (1616-1617)
Bernini, Gian Lorenzo (1598-1680) Baccanale: un fauno preso in giro da bambini (Bacchanal: A Faun Teased by Children) c.1616–1617 Marble, 132.4 x 73.7 x 47.9 cm Metropolitan Museum of Art, New York The complex composition of intertwined figures, skillfully carved…
Les Poseuses (1886-1888)
Seurat, Georges (1859-1891) Les Poseuses (The Models) 1886–1888 Oil on canvas, 200 x 249.9 cm Barnes Foundation, Philadelphia In this scene set inside the artist’s studio, Seurat depicts models posing in front of A Sunday on La Grande Jatte—1884 (1884–86;…