Manet, Édouard (1832-1883) Mlle V. en costume d’espada (Mademoiselle V. in the Costume of an Espada) 1862 Oil on canvas, 165.1 x 127.6 cm Metropolitan Museum of Art, New York Manet depicted model Victorine Meurent (1844–1927) in the guise of a…
Tiziano (c.1488-1576) Danae 1560–1565 Oil on canvas, 129.8 x 181.2 cm Museo del Prado, Madrid The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other…
Tiziano (c.1488-1576) & Workshop Venere e il suonatore di liuto (Venus and the Lute Player) c.1565–1570 Oil on canvas, 165.1 x 209.6 cm Metropolitan Museum of Art, New York Venus, the goddess of love, interrupts her music making to be crowned…
Botticelli, Sandro (c.1445-1510) San Sebastiano (St. Sebastian) 1474 Tempera on poplar panel, 195 x 75 cm Gemäldegalerie, Berlin The Roman officer Sebastian was supposed to renounce his Christian faith in order to serve as the bodyguard of the Emperor Diocletian. When he…
Botticelli, Sandro (c.1445-1510) San Girolamo (Saint Jerome) c.1498–1505 Tempera on canvas (transferred from panel), 44.5 x 26 cm Hermitage Museum, Saint Petersburg Botticelli’s work originally consisted of four parts: the two central ones carrying an Annunciation scene and the side wings with…
Botticelli, Sandro (c.1445-1510) Compianto sul Cristo morto (Lamentation over the Dead Christ) c.1490–1495 Tempera on poplar panel, 140 x 209.2 cm Alte Pinakothek, Munich Botticelli created this depiction of a Pieta for meditation on the Passion, surrounded by female mourners and saints…
Botticelli, Sandro (c.1445-1510) Venere e Marte (Venus and Mars) c.1485 Tempera and oil on poplar, 69.2 x 173.4 cm National Gallery, London Venus, the goddess of love, looks over at her lover Mars. She is alert and dignified, while he – the…
Antonello da Messina (c.1430-1479) Crocifissione (Christ Crucified) 1475 Oil on wood, 41.9 x 25.4 cm National Gallery, London Christ’s body hangs limply on the Cross; the torment of his crucifixion is almost over. He is supported in his final moments by…
Canova, Antonio (1757-1822) Naiade (Naiad) model 1815–1817, carved 1820–1823 Marble, 80 x 190 cm National Gallery of Art, Washington Compare: Canova, Antonio (1757-1822) Naiade 1819–1824 Metropolitan Museum of Art, New York
Canova, Antonio & studio (1757-1822) Naiade (Reclining Naiad) 1819–1824 Carrara marble, 88.9 × 190.5 × 82.6 cm, 1160.3 kg Metropolitan Museum of Art, New York This is a variant of the Reclining Venus with Cupid, now in Buckingham Palace, which was…